Mark Addy
Actor - Born: 14-Jan-64 York, England, UK

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Lost King	03/2023	10	N/A	N/A	N/A	N/A
	Barneys Version	01/2011	33	4,450	4,020	8,470	3,700
	Its A Wonderful Afterlife	10/2010	12	N/A	1,325	1,325	530
	Around The World In Eighty Days	06/2004	100	24,000	38,000	62,000	26,480
	The Order	09/2003	38	7,661	N/A	7,661	3,601
	The Time Machine	03/2002	80	57,200	62,600	119,800	51,924
	A Knights Tale	05/2001	62	56,129	59,100	115,229	50,021
	Down To Earth	02/2001	30	64,187	7,000	71,187	32,968
	The Flintstones In Viva Rock Vegas	04/2000	58	35,268	24,100	59,368	26,216
	Jack Frost	12/1998	50	34,646	N/A	34,646	16,284
	The Full Monty	08/1997	4	46,001	203,500	249,501	103,020

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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