Nonso Anozie
Actor - Born: 1979 London, England, UK

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	7 Days In Entebbe	03/2018	22	3,200	6,000	9,200	3,904
	Pan	10/2015	155	34,230	93,620	127,850	53,536
	Cinderella	03/2015	100	200,250	342,900	543,150	231,278
	Jack Ryan: Shadow Recruit	01/2014	63	51,200	84,500	135,700	57,864
	Enders Game	11/2013	120	61,550	63,595	125,145	54,367
	The Grey	01/2012	30	52,300	26,450	78,750	35,161
	Conan The Barbarian	08/2011	100	21,780	28,450	50,230	21,617
	Brighton Rock	08/2011	13	225	1,600	1,825	746
	Nanny McPhee Returns	08/2010	38	30,000	65,000	95,000	40,100
	RocknRolla	10/2008	21	5,700	17,050	22,750	9,499
	Happy-Go-Lucky	10/2008	N/A	3,568	13,875	17,443	7,227
	Atonement	12/2007	37	52,150	77,810	129,960	55,635
	The Last Legion	08/2007	70	6,000	18,200	24,200	10,100

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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