
Christian Bale
Actor - Born: 30-Jan-74 Haverfordwest, Pembrokeshire, Wales, UK
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The Pale Blue Eye | 01/2023 | 75 | N/A | N/A | N/A | N/A |
![]() | Amsterdam | 10/2022 | 85 | 15,050 | 16,780 | 31,830 | 13,786 |
![]() | Thor Love and Thunder | 07/2022 | 195 | 344,500 | 420,100 | 764,600 | 329,955 |
![]() | Ford v Ferrari | 11/2019 | 100 | 102,300 | 87,300 | 189,600 | 83,001 |
![]() | Vice | 12/2018 | 63 | N/A | N/A | N/A | N/A |
![]() | Hostiles | 12/2017 | 42 | 29,630 | 11,500 | 41,130 | 18,526 |
![]() | The Promise | 04/2017 | 95 | 8,220 | 4,600 | 12,820 | 5,703 |
![]() | Knight Of Cups | 03/2016 | N/A | N/A | N/A | N/A | N/A |
![]() | The Big Short | 12/2015 | 30 | 71,790 | 64,230 | 136,020 | 59,433 |
![]() | Exodus: Gods And Kings | 12/2014 | 147 | 65,100 | 204,050 | 269,150 | 112,217 |
![]() | American Hustle | 12/2013 | 42 | 150,800 | 101,250 | 252,050 | 111,376 |
![]() | Out Of The Furnace | 11/2013 | 23 | 11,250 | 3,850 | 15,100 | 6,828 |
![]() | The Dark Knight Rises | 07/2012 | 245 | 446,700 | 631,450 | 1,078,150 | 462,529 |
![]() | The Flowers Of War | 01/2012 | 100 | 315 | N/A | 315 | 148 |
![]() | The Fighter | 12/2010 | 28 | 93,875 | 36,130 | 130,005 | 58,573 |
![]() | Public Enemies | 07/2009 | 90 | 98,000 | 120,000 | 218,000 | 94,060 |
![]() | Terminator Salvation | 05/2009 | 220 | 128,000 | 248,000 | 376,000 | 159,360 |
![]() | The Dark Knight | 07/2008 | 195 | 535,160 | 475,800 | 1,010,960 | 441,845 |
![]() | Im Not There | 11/2007 | 22 | 4,110 | 7,655 | 11,765 | 4,994 |
![]() | 3:10 To Yuma | 09/2007 | 55 | 53,625 | 16,460 | 70,085 | 31,788 |
![]() | Rescue Dawn | 07/2007 | 10 | 5,500 | 1,710 | 7,210 | 3,269 |
![]() | Harsh Times | 11/2006 | 3 | 3,338 | 2,640 | 5,978 | 2,625 |
![]() | The Prestige | 10/2006 | 43 | 52,527 | 56,420 | 108,947 | 47,256 |
![]() | The New World | 12/2005 | 35 | 12,717 | 17,850 | 30,567 | 13,117 |
![]() | Batman Begins | 06/2005 | 155 | 206,500 | 166,000 | 372,500 | 163,455 |
![]() | Howls Moving Castle | 06/2005 | 65 | 4,700 | 230,000 | 234,700 | 94,209 |
![]() | The Machinist | 10/2004 | 5 | 1,046 | 7,230 | 8,276 | 3,384 |
![]() | Laurel Canyon | 03/2003 | 18 | 3,663 | 780 | 4,443 | 2,034 |
![]() | Equilibrium | 12/2002 | 20 | 1,204 | 4,340 | 5,544 | 2,302 |
![]() | Reign Of Fire | 07/2002 | 65 | 43,000 | 40,005 | 83,005 | 36,212 |
![]() | Captain Corellis Mandolin | 08/2001 | 57 | 25,544 | 36,540 | 62,084 | 26,622 |
![]() | Shaft | 06/2000 | 45 | 70,344 | 33,000 | 103,344 | 46,262 |
![]() | American Psycho | 04/2000 | 8 | 15,070 | 24,000 | 39,070 | 16,683 |
![]() | All The Little Animals | 09/1999 | 4 | 23 | N/A | 23 | 11 |
![]() | A Midsummer Nights Dream | 05/1999 | 12 | 16,072 | N/A | 16,072 | 7,554 |
![]() | Metroland | 04/1999 | N/A | 299 | N/A | 299 | 141 |
![]() | Velvet Goldmine | 11/1998 | 10 | 1,044 | 4,050 | 5,094 | 2,111 |
![]() | The Portrait of a Lady | 12/1996 | N/A | 3,517 | N/A | 3,517 | 1,653 |
![]() | The Secret Agent | 11/1996 | 8 | 105 | N/A | 105 | 49 |
![]() | Pocahontas | 07/1995 | 55 | 144,357 | 175,600 | 319,957 | 138,088 |
![]() | Little Women | 12/1994 | 16 | 50,000 | 45,000 | 95,000 | 41,500 |
![]() | Swing Kids | 03/1993 | N/A | 5,572 | N/A | 5,572 | 2,619 |
![]() | Newsies | 04/1992 | 17 | 2,851 | N/A | 2,851 | 1,340 |
![]() | Henry V | 11/1989 | 9 | 10,162 | N/A | 10,162 | 4,776 |
![]() | Empire of the Sun | 12/1987 | 38 | 22,226 | N/A | 22,226 | 10,446 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT WME 9601 Wilshire Blvd. Beverly Hills, CA 90210 T:(310) 285-9000 | ATTORNEY GOODMAN, GENOW, SCHENKMAN, SMELKINSON & CHRISTOPHER LLP 9665 Wilshire Blvd. Unit 510 Beverly Hills, CA 90212 T:(310) 385-9300 |