Amy Brenneman
Actor - Born: 22-Jun-64 New London, Connecticut, USA

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Sweet Girl	09/2021	32	N/A	N/A	N/A	N/A
	Foster Boy	09/2020	4	8	N/A	8	4
	Words And Pictures	05/2014	N/A	2,120	1,230	3,350	1,488
	The Face Of Love	03/2014	N/A	334	N/A	334	157
	Downloading Nancy	06/2009	4	22	N/A	22	10
	88 Minutes	04/2008	32	17,200	15,300	32,500	14,204
	The Jane Austen Book Club	09/2007	8	3,575	3,475	7,050	3,070
	Nine Lives	10/2005	N/A	430	N/A	430	202
	Off The Map	03/2003	N/A	1,320	N/A	1,320	620
	The Suburbans	10/1999	N/A	11	N/A	11	5
	Your Friends and Neighbors	08/1998	5	4,715	N/A	4,715	2,216
	Daylight	12/1996	80	33,000	122,300	155,300	64,430
	Fear	04/1996	N/A	20,830	N/A	20,830	9,790
	Heat	12/1995	60	67,400	114,700	182,100	77,558
	Bye Bye Love	03/1995	N/A	12,096	N/A	12,096	5,685

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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