
Steve Buscemi
Actor - Born: 13-Dec-57 Brooklyn, New York, NY
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The Dead Don`t Die | 06/2019 | 22 | 6,670 | 9,345 | 16,015 | 6,873 |
![]() | Hotel Transylvania 3: Summer Vacation | 07/2018 | 84 | 168,000 | 360,000 | 528,000 | 222,960 |
![]() | Nancy | 06/2018 | 8 | 80 | N/A | 80 | 38 |
![]() | The Death Of Stalin | 03/2018 | 16 | 8,000 | 17,000 | 25,000 | 10,560 |
![]() | Lean On Pete | 03/2018 | 8 | 1,150 | 1,200 | 2,350 | 1,021 |
![]() | Norman | 04/2017 | 6 | 3,819 | 1,800 | 5,619 | 2,515 |
![]() | The Boss Baby | 03/2017 | 130 | 175,000 | 355,400 | 530,400 | 224,410 |
![]() | Time Out Of Mind | 09/2015 | N/A | 152 | N/A | 152 | 71 |
![]() | Hotel Transylvania 2 | 09/2015 | 85 | 167,700 | 295,722 | 463,422 | 197,108 |
![]() | The Cobbler | 03/2015 | N/A | N/A | N/A | N/A | N/A |
![]() | Khumba | 12/2013 | 22 | 1 | N/A | 1 | 0 |
![]() | Grown Ups 2 | 07/2013 | 88 | 132,100 | 110,210 | 242,310 | 106,171 |
![]() | Monsters University | 06/2013 | 203 | 265,120 | 475,730 | 740,850 | 314,898 |
![]() | The Incedible Burt Wonderstone | 03/2013 | 33 | 22,340 | 2,150 | 24,490 | 11,360 |
![]() | On the Road | 12/2012 | 28 | 696 | 7,980 | 8,676 | 3,519 |
![]() | Hotel Transylvania (3D) | 09/2012 | 105 | 142,599 | 173,020 | 315,619 | 136,230 |
![]() | Rampart | 11/2011 | N/A | 975 | N/A | 975 | 458 |
![]() | Grown Ups | 06/2010 | 85 | 163,400 | 110,200 | 273,600 | 120,878 |
![]() | John, Rabe | 05/2010 | 22 | 68 | N/A | 68 | 32 |
![]() | Handsome Harry | 04/2010 | 2 | 23 | N/A | 23 | 11 |
![]() | Youth In Revolt | 01/2010 | 20 | 15,225 | 3,280 | 18,505 | 8,468 |
![]() | Saint John Of Las Vegas | 01/2010 | 4 | 100 | 10 | 110 | 51 |
![]() | The Messenger | 11/2009 | 8 | 1,105 | 412 | 1,517 | 684 |
![]() | G-Force | 07/2009 | 155 | 120,000 | 170,000 | 290,000 | 124,400 |
![]() | Igor | 09/2008 | 32 | 19,550 | 9,325 | 28,875 | 12,919 |
![]() | Joe Strummer: The Future Is Unwritten | 11/2007 | N/A | 250 | 721 | 971 | 406 |
![]() | Romance & Cigarettes | 09/2007 | N/A | 435 | 2,410 | 2,845 | 1,168 |
![]() | Delirious | 08/2007 | N/A | 87 | 495 | 582 | 239 |
![]() | I Now Pronounce You Chuck And Larry | 07/2007 | 80 | 120,235 | 65,327 | 185,562 | 82,641 |
![]() | Interview | 07/2007 | N/A | 420 | 583 | 1,003 | 431 |
![]() | Paris, Je TAime | 05/2007 | 14 | 4,875 | 12,120 | 16,995 | 7,139 |
![]() | I Think I Love My Wife | 03/2007 | 12 | 12,600 | 600 | 13,200 | 6,162 |
![]() | Charlottes Web | 12/2006 | 85 | 82,200 | 63,000 | 145,200 | 63,834 |
![]() | Monster House | 07/2006 | 75 | 73,661 | 66,500 | 140,161 | 61,221 |
![]() | Art School Confidential | 05/2006 | N/A | 3,297 | N/A | 3,297 | 1,550 |
![]() | Romance And Cigarettes | 08/2005 | N/A | 136 | 2,400 | 2,536 | 1,024 |
![]() | The Island | 07/2005 | 125 | 36,000 | 130,000 | 166,000 | 68,920 |
![]() | Coffee and Cigarettes | 05/2004 | N/A | 2,200 | 5,840 | 8,040 | 3,370 |
![]() | Home On The Range | 04/2004 | 110 | 50,000 | 53,000 | 103,000 | 44,700 |
![]() | Big Fish | 12/2003 | 70 | 66,454 | 56,000 | 122,454 | 53,633 |
![]() | Spy Kids 3-D: Game Over | 07/2003 | 40 | 111,779 | 86,000 | 197,779 | 86,936 |
![]() | Love In The Time Of Money | 11/2002 | N/A | 6 | N/A | 6 | 3 |
![]() | The Grey Zone | 10/2002 | 5 | 507 | N/A | 507 | 238 |
![]() | Spy Kids 2: The Island of Lost Dreams | 08/2002 | 38 | 85,600 | 34,850 | 120,450 | 54,172 |
![]() | Mr. Deeds | 06/2002 | 50 | 126,200 | 40,400 | 166,600 | 75,474 |
![]() | Monsters, Inc. | 11/2001 | 115 | 256,073 | 267,700 | 523,773 | 227,434 |
![]() | Domestic Disturbance | 11/2001 | 53 | 44,746 | N/A | 44,746 | 21,031 |
![]() | Final Fantasy: The Spirits Within | 07/2001 | 137 | 32,132 | 45,675 | 77,807 | 33,372 |
![]() | Ghost World | 07/2001 | N/A | 6,200 | 2,575 | 8,775 | 3,944 |
![]() | Animal Factory | 11/2000 | N/A | 44 | N/A | 44 | 21 |
![]() | 28 Days | 04/2000 | 43 | 45,000 | 25,600 | 70,600 | 31,390 |
![]() | Big Daddy | 06/1999 | 34 | 163,480 | 71,000 | 234,480 | 105,236 |
![]() | The Impostors | 10/1998 | N/A | 2,195 | N/A | 2,195 | 1,032 |
![]() | Armageddon | 06/1998 | 140 | 201,578 | 345,800 | 547,378 | 233,062 |
![]() | The Big Lebowski | 03/1998 | 15 | 17,499 | 26,200 | 43,699 | 18,705 |
![]() | The Real Blonde | 02/1998 | N/A | 356 | N/A | 356 | 167 |
![]() | Con Air | 06/1997 | 75 | 101,100 | 122,100 | 223,200 | 96,357 |
![]() | Trees Lounge | 10/1996 | 1 | 696 | N/A | 696 | 327 |
![]() | Escape From L.A. | 08/1996 | 50 | 25,160 | 16,720 | 41,880 | 18,513 |
![]() | Kansas City | 08/1996 | 19 | 1,356 | N/A | 1,356 | 637 |
![]() | Fargo | 03/1996 | 7 | 25,000 | 17,500 | 42,500 | 18,750 |
![]() | Things To Do In Denver When Youre Dead | 02/1996 | N/A | 530 | N/A | 530 | 249 |
![]() | Desperado | 08/1995 | 7 | 25,626 | 32,000 | 57,626 | 24,844 |
![]() | Airheads | 07/1994 | N/A | 5,368 | N/A | 5,368 | 2,523 |
![]() | The Hudsucker Proxy | 03/1994 | N/A | 2,868 | N/A | 2,868 | 1,348 |
![]() | Twenty Bucks | 10/1993 | N/A | 90 | N/A | 90 | 42 |
![]() | Rising Sun | 07/1993 | N/A | 63,095 | 42,200 | 105,295 | 46,535 |
![]() | Reservoir Dogs | 10/1992 | 1 | 2,838 | N/A | 2,838 | 1,334 |
![]() | CrissCross | 05/1992 | N/A | 3,052 | N/A | 3,052 | 1,434 |
![]() | Billy Bathgate | 11/1991 | N/A | 15,538 | N/A | 15,538 | 7,303 |
![]() | Barton Fink | 08/1991 | 9 | 5,709 | N/A | 5,709 | 2,683 |
![]() | Millers Crossing | 09/1990 | 14 | 5,080 | N/A | 5,080 | 2,388 |
![]() | King of New York | 09/1990 | N/A | 2,341 | N/A | 2,341 | 1,100 |
![]() | Tales From The Darkside: The Movie | 05/1990 | N/A | 16,324 | N/A | 16,324 | 7,672 |
![]() | New York Stories | 03/1989 | 15 | 10,019 | N/A | 10,019 | 4,709 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Recent Television
Title | Network | Genre | Date | ||
---|---|---|---|---|---|
BOARDWALK EMPIRE | HBO | 2s Crime Drama | 2010 | ||
PHILIP K. DICK`S ELECTRIC DREAMS | AMAZON | Sci-Fi Drama | 1/2018 | ||
MIRACLE WORKERS | TBS | Comedy | 2/2019 |
Contact Details
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