
Michael Caine
Actor - Born: Rotherhithe, London, England, UK
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Best Sellers | 09/2021 | 17 | N/A | N/A | N/A | N/A |
![]() | Tenet | 09/2020 | 225 | 60,050 | 305,250 | 365,300 | 150,324 |
![]() | King Of Thieves | 01/2019 | 7 | N/A | N/A | N/A | N/A |
![]() | Sherlock Gnomes | 03/2018 | 61 | 43,250 | 47,100 | 90,350 | 39,168 |
![]() | Dear Dictator | 03/2018 | 7 | N/A | 10 | 10 | 4 |
![]() | Going In Style | 04/2017 | 26 | 45,000 | 41,230 | 86,230 | 37,642 |
![]() | Now You See Me 2 | 06/2016 | 94 | 64,780 | 272,570 | 337,350 | 139,475 |
![]() | Youth | 12/2015 | 14 | 2,220 | N/A | 2,220 | 1,043 |
![]() | The Last Witch Hunter | 10/2015 | 95 | N/A | N/A | N/A | N/A |
![]() | Kingsman: The Secret Service | 02/2015 | 85 | 127,500 | 285,100 | 412,600 | 173,965 |
![]() | Interstellar | 11/2014 | 173 | 189,420 | 585,670 | 775,090 | 323,295 |
![]() | Stonehearst Asylum | 10/2014 | 22 | N/A | N/A | N/A | N/A |
![]() | Now You See Me | 05/2013 | 86 | 115,400 | 220,400 | 335,800 | 142,398 |
![]() | The Dark Knight Rises | 07/2012 | 245 | 446,700 | 631,450 | 1,078,150 | 462,529 |
![]() | Journey 2: The Mysterious Island | 02/2012 | 88 | 102,410 | 225,120 | 327,530 | 138,181 |
![]() | Cars 2 | 06/2011 | 210 | 192,400 | 365,340 | 557,740 | 236,564 |
![]() | Gnomeo and Juliet | 02/2011 | 70 | 101,000 | 95,000 | 196,000 | 85,470 |
![]() | Inception | 07/2010 | 175 | 295,780 | 550,250 | 846,030 | 359,117 |
![]() | Harry Brown | 04/2010 | 8 | 2,000 | 8,250 | 10,250 | 4,240 |
![]() | Is Anybody There? | 04/2009 | N/A | 2,040 | 1,450 | 3,490 | 1,539 |
![]() | The Dark Knight | 07/2008 | 195 | 535,160 | 475,800 | 1,010,960 | 441,845 |
![]() | Flawless | 03/2008 | 20 | 1,200 | 4,900 | 6,100 | 2,524 |
![]() | Sleuth | 10/2007 | N/A | 341 | 2,710 | 3,051 | 1,244 |
![]() | Children Of Men | 12/2006 | 75 | 35,660 | 34,000 | 69,660 | 30,360 |
![]() | The Prestige | 10/2006 | 43 | 52,527 | 56,420 | 108,947 | 47,256 |
![]() | The Weather Man | 11/2005 | 32 | 12,500 | 6,600 | 19,100 | 8,515 |
![]() | Batman Begins | 06/2005 | 155 | 206,500 | 166,000 | 372,500 | 163,455 |
![]() | Bewitched | 06/2005 | 80 | 63,000 | 68,000 | 131,000 | 56,810 |
![]() | Around The Bend | 10/2004 | N/A | 194 | N/A | 194 | 91 |
![]() | The Statement | 12/2003 | 23 | 763 | N/A | 763 | 359 |
![]() | Secondhand Lions | 09/2003 | 30 | 41,521 | 2,000 | 43,521 | 20,315 |
![]() | The Quiet American | 11/2002 | 28 | 13,968 | 15,380 | 29,348 | 12,717 |
![]() | Austin Powers In Goldmember | 07/2002 | 63 | 213,200 | 83,000 | 296,200 | 133,404 |
![]() | Last Orders | 02/2002 | 12 | 2,326 | N/A | 2,326 | 1,093 |
![]() | Miss Congeniality | 12/2000 | 45 | 106,825 | 105,300 | 212,125 | 92,328 |
![]() | Quills | 11/2000 | N/A | 7,066 | N/A | 7,066 | 3,321 |
![]() | Get Carter | 09/2000 | 40 | 14,967 | N/A | 14,967 | 7,034 |
![]() | The Cider House Rules | 12/1999 | 24 | 57,536 | 37,000 | 94,536 | 41,842 |
![]() | Little Voice | 12/1998 | N/A | 4,595 | 20,000 | 24,595 | 10,160 |
![]() | Blood & Wine | 02/1997 | 26 | 1,091 | N/A | 1,091 | 513 |
![]() | On Deadly Ground | 02/1994 | N/A | 38,600 | 33,600 | 72,200 | 31,582 |
![]() | The Muppet Christmas Carol | 12/1992 | N/A | 25,926 | N/A | 25,926 | 12,185 |
![]() | Noises Off | 04/1992 | N/A | 2,228 | N/A | 2,228 | 1,047 |
![]() | Mr. Destiny | 10/1990 | N/A | 13,618 | N/A | 13,618 | 6,400 |
![]() | A Shock to the System | 03/1990 | N/A | 3,415 | N/A | 3,415 | 1,605 |
![]() | Dirty Rotten Scoundrels | 12/1988 | N/A | 40,852 | N/A | 40,852 | 19,200 |
![]() | Without a Clue | 10/1988 | N/A | 8,539 | N/A | 8,539 | 4,013 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT ICM 10250 Constellation Blvd. Los Angeles, CA 90067 T:(310) 550-4000 careersla@icmtalent.com | UK AGENT 42 UK 20 Denmark Street London WC2H 8NA T:44 (0) 207 437 0308 | ATTORNEY JACKOWAY, TYERMAN, WERTHEIMER, AUSTEN, MANDELBAUM AND KLEIN PC 1925 Century Park East 22nd Floor Los Angeles, CA 90067 T:(310) 553-0305 |