Morris Chestnut
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	When The Bough Breaks	09/2016	12	29,550	1,020	30,570	14,297
	Heist	11/2015	23	48	N/A	48	23
	The Perfect Guy	09/2015	N/A	N/A	N/A	N/A	N/A
	The Best Man Holiday	11/2013	19	70,100	1,250	71,350	33,447
	Kick-Ass 2	08/2013	31	28,400	32,700	61,100	26,428
	The Call	03/2013	15	51,400	18,290	69,690	31,474
	Identity Thief	02/2013	40	134,940	42,300	177,240	80,342
	Not Easily Broken	01/2009	6	10,720	150	10,870	5,098
	The Perfect Holiday	12/2007	N/A	5,560	N/A	5,560	2,613
	The Game Plan	09/2007	23	90,600	58,050	148,650	65,802
	The Cave	08/2005	30	15,200	18,300	33,500	14,464
	Ladder 49	10/2004	63	74,000	10,000	84,000	38,780
	Anacondas: The Hunt For The Blood Orchid	08/2004	20	32,000	38,000	70,000	30,240
	Breakin All The Rules	05/2004	N/A	11,825	N/A	11,825	5,558
	Confidence	04/2003	15	12,218	N/A	12,218	5,742
	Half Past Dead (Lockdown)	11/2002	30	15,362	N/A	15,362	7,220
	Like Mike	07/2002	30	51,400	5,500	56,900	26,358
	Two Can Play That Game	09/2001	6	22,236	N/A	22,236	10,451
	The Brothers	03/2001	6	27,457	500	27,957	13,105
	The Best Man	10/1999	9	34,074	500	34,574	16,215
	G.I. Jane	08/1997	50	48,169	35,900	84,069	36,999
	Under Siege 2: Dark Territory	07/1995	N/A	50,023	51,500	101,523	44,111
	The Inkwell	04/1994	N/A	8,879	N/A	8,879	4,173
	Boyz N The Hood	07/1991	6	56,809	N/A	56,809	26,700

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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