Jemaine Clement
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Harold and the Purple Crayon	08/2024	86	N/A	N/A	N/A	N/A
	Avatar: The Way of Water	12/2022	262	682,250	1,630,500	2,312,750	972,858
	An Evening with Beverly Luff Linn	10/2018	6	N/A	N/A	N/A	N/A
	Brad`s Status	09/2017	N/A	N/A	N/A	N/A	N/A
	Moana	11/2016	157	242,560	277,320	519,880	224,931
	The BFG	07/2016	143	55,250	140,100	195,350	82,008
	Don Verdean	12/2015	N/A	30	N/A	30	14
	People Places Things	08/2015	N/A	30	N/A	30	14
	What We Do In The Shadows	02/2015	4	3,420	2,834	6,254	2,741
	Rio 2	04/2014	106	130,467	370,200	500,667	209,399
	Men In Black 3	05/2012	250	178,400	446,200	624,600	262,328
	Rio	04/2011	100	143,750	342,350	486,100	204,503
	Despicable Me	07/2010	75	252,550	305,000	557,550	240,699
	Dinner For Schmucks	07/2010	72	74,000	14,000	88,000	40,380
	Eagle Vs. Shark	06/2007	N/A	222	1,100	1,322	544

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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