
Judy Davis
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Nitram | 03/2022 | 5 | N/A | N/A | N/A | N/A |
![]() | The Dressmaker | 09/2016 | 12 | 2,000 | 22,000 | 24,000 | 9,740 |
![]() | The Eye Of The Storm | 09/2012 | N/A | 82 | N/A | 82 | 39 |
![]() | To Rome With Love | 06/2012 | 20 | 16,550 | 58,120 | 74,670 | 31,027 |
![]() | Marie Antoinette | 10/2006 | 45 | 15,962 | N/A | 15,962 | 7,502 |
![]() | The Break-Up | 06/2006 | 52 | 118,807 | 85,000 | 203,807 | 89,839 |
![]() | Swimming Upstream | 02/2005 | N/A | 47 | N/A | 47 | 22 |
![]() | Gaudi Afternoon | 03/2003 | N/A | 6 | N/A | 6 | 3 |
![]() | Celebrity | 11/1998 | 13 | 5,009 | 4,921 | 9,930 | 4,323 |
![]() | Deconstructing Harry | 12/1997 | 20 | 10,702 | 22,000 | 32,702 | 13,830 |
![]() | Children of the Revolution | 05/1997 | N/A | 831 | N/A | 831 | 391 |
![]() | Absolute Power | 02/1997 | 50 | 50,069 | 42,700 | 92,769 | 40,612 |
![]() | Blood & Wine | 02/1997 | 26 | 1,091 | N/A | 1,091 | 513 |
![]() | The New Age | 09/1994 | N/A | 300 | N/A | 300 | 141 |
![]() | The Ref. | 03/1994 | 11 | 11,438 | 1,100 | 12,538 | 5,816 |
![]() | Husbands And Wives | 09/1992 | 20 | 10,311 | N/A | 10,311 | 4,846 |
![]() | Where Angels Fear to Tread | 03/1992 | N/A | 1,136 | N/A | 1,136 | 534 |
![]() | Naked Lunch | 12/1991 | N/A | 2,517 | N/A | 2,517 | 1,183 |
![]() | Barton Fink | 08/1991 | 9 | 5,709 | N/A | 5,709 | 2,683 |
![]() | Impromptu | 04/1991 | N/A | 4,076 | N/A | 4,076 | 1,916 |
![]() | Alice | 12/1990 | 15 | 6,760 | N/A | 6,760 | 3,177 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Recent Television
Title | Network | Genre | Date | ||
---|---|---|---|---|---|
WORRICKER: SALTING THE BATTLEFIELD | PBS | Action Drama | 2014 | ||
FEUD: BETTE and JOAN | FX | Biographical Drama | 3/17 | ||
Ratched | NETFLIX | Drama | 9/20 |
Contact Details
AGENT ICM 10250 Constellation Blvd. Los Angeles, CA 90067 T:(310) 550-4000 careersla@icmtalent.com |