
Bruce Davison
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Along Came The Devil 2 | 10/2019 | 4 | N/A | N/A | N/A | N/A |
![]() | Itsy Bitsy | 08/2019 | 7 | N/A | N/A | N/A | N/A |
![]() | Insidious: The Last Key | 01/2018 | 11 | 68,120 | 100,150 | 168,270 | 72,076 |
![]() | 9/11 | 09/2017 | 8 | N/A | N/A | N/A | N/A |
![]() | The Curse Of Sleeping Beauty | 05/2016 | N/A | N/A | N/A | N/A | N/A |
![]() | 108 Stitches | 09/2014 | N/A | N/A | N/A | N/A | N/A |
![]() | 37: A Final Promise | 08/2014 | N/A | N/A | N/A | N/A | N/A |
![]() | Persecuted | 07/2014 | N/A | 1,600 | N/A | 1,600 | 752 |
![]() | Words And Pictures | 05/2014 | N/A | 2,120 | 1,230 | 3,350 | 1,488 |
![]() | Munger Road | 09/2011 | N/A | 270 | N/A | 270 | 127 |
![]() | Breach | 02/2007 | N/A | 35,000 | 6,100 | 41,100 | 18,890 |
![]() | Hate Crime | 05/2006 | 1 | 41 | N/A | 41 | 19 |
![]() | Going Shopping | 09/2005 | N/A | 32 | N/A | 32 | 15 |
![]() | Runaway Jury | 10/2003 | 60 | 49,023 | 31,500 | 80,523 | 35,641 |
![]() | X2: X-Men United | 05/2003 | 105 | 215,000 | 192,000 | 407,000 | 177,850 |
![]() | Dahmer | 06/2002 | N/A | 144 | N/A | 144 | 68 |
![]() | High Crimes | 04/2002 | 42 | 42,500 | 20,100 | 62,600 | 28,015 |
![]() | Summer Catch | 08/2001 | 24 | 19,700 | 25 | 19,725 | 9,269 |
![]() | Crazy/Beautiful | 06/2001 | 14 | 16,938 | N/A | 16,938 | 7,961 |
![]() | The King Is Alive | 05/2001 | N/A | 108 | N/A | 108 | 51 |
![]() | X-Men | 05/2000 | 75 | 157,300 | 137,000 | 294,300 | 128,731 |
![]() | At First Sight | 01/1999 | 40 | 22,360 | 8,000 | 30,360 | 13,709 |
![]() | Art Pupil | 10/1998 | 14 | 8,815 | N/A | 8,815 | 4,143 |
![]() | Paulie | 04/1998 | N/A | 27,084 | 5,500 | 32,584 | 14,929 |
![]() | The Crucible | 12/1996 | N/A | 7,300 | 14,600 | 21,900 | 9,271 |
![]() | Grace Of My Heart | 09/1996 | 5 | 660 | N/A | 660 | 310 |
![]() | The Baby-Sitters Club | 08/1995 | N/A | 9,685 | N/A | 9,685 | 4,552 |
![]() | The Cure | 04/1995 | N/A | 2,568 | N/A | 2,568 | 1,207 |
![]() | Far From Home: Yellow Dog | 01/1995 | N/A | 11,643 | N/A | 11,643 | 5,472 |
![]() | Six Degrees Of Separation | 12/1993 | N/A | 6,017 | N/A | 6,017 | 2,828 |
![]() | Short Cuts | 10/1993 | N/A | 6,015 | N/A | 6,015 | 2,827 |
![]() | Longtime Companion | 05/1990 | N/A | 4,681 | N/A | 4,681 | 2,200 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.