Natalie Dormer
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Professor And The Madman	05/2019	26	N/A	N/A	N/A	N/A
	In Darkness	05/2018	9	N/A	250	250	100
	Patient Zero	02/2017	8	N/A	N/A	N/A	N/A
	The Forest	01/2016	10	26,230	11,300	37,530	16,848
	The Hunger Games: Mockingjay - Part 2	11/2015	168	280,980	372,300	653,280	280,981
	The Hunger Games: Mockingjay, Part 1	11/2014	132	337,840	417,660	755,500	325,849
	The Counselor	10/2013	28	16,540	55,600	72,140	30,014
	Rush	09/2013	37	26,850	65,400	92,250	38,780
	W.E.	02/2012	17	586	285	871	389
	Captain America: The First Avenger	07/2011	150	176,500	195,430	371,930	161,127
	Casanova	12/2005	N/A	11,279	30,768	42,047	17,608

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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