James Franco
Actor - Born: 19-Apr-78 Palo Alto, California, USA

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Arctic Dogs	11/2019	52	N/A	N/A	N/A	N/A
	Pretenders	10/2019	6	N/A	N/A	N/A	N/A
	Zeroville	09/2019	6	N/A	N/A	N/A	N/A
	Don`t Come Back From the Moon	01/2019	4	N/A	N/A	N/A	N/A
	The Ballad Of Buster Scruggs	11/2018	28	N/A	N/A	N/A	N/A
	Kin	08/2018	28	5,850	4,400	10,250	4,510
	The Disaster Artist	12/2017	11	21,100	8,750	29,850	13,417
	The Heyday Of The Insensitive Bastards	10/2017	6	N/A	N/A	N/A	N/A
	The Vault	09/2017	4	5	N/A	5	2
	Alien: Covenant	05/2017	102	75,310	168,700	244,010	102,876
	The Institute	03/2017	3	N/A	N/A	N/A	N/A
	In Dubious Battle	02/2017	16	N/A	N/A	N/A	N/A
	I Am Michael	01/2017	N/A	N/A	N/A	N/A	N/A
	Why Him	12/2016	40	60,320	58,300	118,620	51,670
	Burn Country	12/2016	N/A	N/A	N/A	N/A	N/A
	King Cobra	10/2016	N/A	N/A	N/A	N/A	N/A
	Goat	09/2016	5	N/A	N/A	N/A	N/A
	Sausage Party	08/2016	22	96,780	44,190	140,970	63,163
	Memoria	05/2016	N/A	2	N/A	2	1
	The Adderall Diaries	04/2016	N/A	13	N/A	13	6
	The Little Prince	03/2016	85	1,310	96,700	98,010	39,296
	Yosemite	01/2016	N/A	14	N/A	14	7
	Everything Will Be Fine	12/2015	N/A	8	350	358	144
	Wild Horses	06/2015	N/A	N/A	N/A	N/A	N/A
	True Story	04/2015	N/A	4,600	N/A	4,600	2,162
	The Interview	12/2014	46	6,340	5,320	11,660	5,108
	The Color Of Time	12/2014	N/A	N/A	N/A	N/A	N/A
	Good People	09/2014	12	N/A	N/A	N/A	N/A
	Child Of God	08/2014	N/A	40	N/A	40	19
	Third Person	06/2014	42	1,010	N/A	1,010	475
	Palo Alto	05/2014	N/A	732	N/A	732	344
	Maladies	03/2014	2	N/A	N/A	N/A	N/A
	Homefront	11/2013	24	20,050	24,470	44,520	19,212
	Sal	11/2013	8	7	N/A	7	3
	As I Lay Dying	10/2013	N/A	16	N/A	16	8
	Lovelace	08/2013	12	355	N/A	355	167
	This Is The End	06/2013	35	100,400	22,300	122,700	56,108
	The Iceman	05/2013	12	1,875	2,560	4,435	1,905
	Oz The Great And Powerful	03/2013	220	235,100	263,400	498,500	215,857
	Spring Breakers	03/2013	6	14,050	18,230	32,280	13,896
	Rise Of The Planet Of The Apes	08/2011	100	176,750	302,600	479,350	204,113
	Your Highness	04/2011	55	21,800	3,275	25,075	11,556
	127 Hours	11/2010	20	18,560	42,875	61,435	25,873
	Howl	09/2010	N/A	618	568	1,186	518
	Eat Pray Love	08/2010	65	81,000	125,000	206,000	88,070
	Date Night	04/2010	62	101,280	54,125	155,405	69,252
	Milk	11/2008	22	31,855	22,750	54,605	24,072
	Nights In Rodanthe	09/2008	31	42,050	42,300	84,350	36,684
	Pineapple Express	08/2008	27	87,350	14,750	102,100	46,955
	An American Crime	07/2008	N/A	N/A	N/A	N/A	N/A
	Finishing The Game	10/2007	1	53	N/A	53	25
	An American Crime	09/2007	N/A	N/A	N/A	N/A	N/A
	In The Valley Of Elah	09/2007	24	6,850	22,750	29,600	12,320
	Spider Man 3	05/2007	265	337,000	554,000	891,000	379,990
	The Dead Girl	12/2006	N/A	17	N/A	17	8
	FlyBoys	09/2006	60	13,000	5,000	18,000	8,110
	Tristan & Isolde	01/2006	N/A	14,735	13,200	27,935	12,205
	Annapolis	01/2006	N/A	17,128	400	17,528	8,210
	The Great Raid	08/2005	75	10,175	700	10,875	5,062
	Spider Man 2	07/2004	210	373,000	410,000	783,000	339,310
	The Company	12/2003	15	2,098	N/A	2,098	986
	Sonny	12/2002	N/A	30	N/A	30	14
	City By The Sea	09/2002	60	22,500	N/A	22,500	10,575
	Spider Man	05/2002	145	404,000	418,000	822,000	357,080
	Some Body	05/2002	N/A	12	N/A	12	6
	Deuces Wild	04/2002	10	6,100	N/A	6,100	2,867
	Whatever It Takes	03/2000	15	8,746	N/A	8,746	4,111
	Never Been Kissed	04/1999	27	55,475	30,020	85,495	38,081

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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