Malcolm Goodwin
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Run All Night	03/2015	53	26,130	42,100	68,230	29,121
	Miracle At St. Anna	09/2008	48	8,020	1,425	9,445	4,339
	The Perfect Match	08/2008	N/A	11,475	N/A	11,475	5,393
	The Longshots	08/2008	N/A	11,930	N/A	11,930	5,607
	Leatherheads	04/2008	60	31,250	9,560	40,810	18,512
	Deception	04/2008	25	4,600	10,430	15,030	6,334
	Anamorph	04/2008	N/A	7	340	347	139
	Backseat	03/2008	N/A	13	N/A	13	6
	American Gangster	11/2007	100	130,734	136,220	266,954	115,933
	The Architect	12/2006	N/A	13	N/A	13	6

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.