Ari Graynor
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Like A Boss	01/2020	23	22,150	8,432	30,582	13,783
	10 Years	09/2012	N/A	200	N/A	200	94
	For A Good Time Call ...	09/2012	N/A	1,220	N/A	1,220	573
	Celeste And Jesse Forever	08/2012	N/A	3,010	N/A	3,010	1,415
	The Sitter	12/2011	27	30,100	4,500	34,600	15,947
	Whats Your Number?	09/2011	22	14,100	16,550	30,650	13,247
	Lucky	07/2011	N/A	9	N/A	9	4
	Holly Rollers	05/2010	N/A	367	310	677	296
	Youth In Revolt	01/2010	20	15,225	3,280	18,505	8,468
	Nick & Norahs Infinite Playlist	10/2008	10	31,850	315	32,165	15,096
	An American Crime	07/2008	N/A	N/A	N/A	N/A	N/A
	Turn The River	05/2008	1	5	N/A	5	2
	An American Crime	09/2007	N/A	N/A	N/A	N/A	N/A
	The Great New Wonderful	06/2006	1	150	27	177	81
	Game 6	03/2006	N/A	130	N/A	130	61
	Imaginary Heroes	12/2004	10	5	N/A	5	2
	Mystic River	10/2003	27	90,300	68,000	158,300	69,641

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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