Hill Harper
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Destined	11/2017	4	N/A	N/A	N/A	N/A
	Concussion	12/2015	37	33,490	15,050	48,540	21,760
	The Boy Next Door	01/2015	5	35,100	15,340	50,440	22,633
	For Colored Girls	11/2010	23	38,020	20	38,040	17,877
	Mama, I Want To Sing	11/2007	5	N/A	N/A	N/A	N/A
	Constellation	02/2007	N/A	310	N/A	310	146
	America Brown	10/2005	N/A	N/A	N/A	N/A	N/A
	Love, Sex & Eating The Bones	03/2004	2	117	N/A	117	55
	The Visit	12/2000	N/A	110	N/A	110	52
	Loving Jezebel	10/2000	N/A	69	N/A	69	32
	The Skulls	03/2000	15	35,046	15,500	50,546	22,672
	In Too Deep	09/1999	7	14,000	N/A	14,000	6,580
	Beloved	10/1998	53	22,747	N/A	22,747	10,691
	Hav Plenty	06/1998	N/A	2,338	N/A	2,338	1,099
	He Got Game	05/1998	25	21,568	3,400	24,968	11,497
	Steel	08/1997	16	1,686	N/A	1,686	792
	Get On The Bus	10/1996	3	5,751	N/A	5,751	2,703

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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