Rachael Harris
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Brother Nature	09/2016	5	N/A	N/A	N/A	N/A
	Freaks of Nature/Kitchen Sink	09/2015	N/A	N/A	N/A	N/A	N/A
	Barely Lethal	05/2015	N/A	6	N/A	6	3
	Night At The Museum: Secret Of The Tomb	12/2014	132	113,100	249,650	362,750	153,017
	Bad Words	03/2014	N/A	7,800	N/A	7,800	3,666
	Wreck-It Ralph	11/2012	176	183,400	175,300	358,700	156,318
	Diary Of A Wimpy Kid: Dog Days	08/2012	25	48,875	27,650	76,525	34,031
	Diary Of A Wimpy Kid: Rodrick Rules	03/2011	23	52,750	20,180	72,930	32,865
	The Hangover	06/2009	40	285,000	192,000	477,000	210,750
	The Soloist	04/2009	65	30,950	6,134	37,084	17,000
	License to Wed	07/2007	40	43,000	25,550	68,550	30,430
	Kicking And Screaming	05/2005	45	53,000	3,000	56,000	26,110
	After The Sunset	11/2004	60	28,000	32,750	60,750	26,260
	Showtime	03/2002	85	38,200	40,900	79,100	34,314

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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