Buck Henry
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Man Who Fell To EArth	07/2011	N/A	98	N/A	98	46
	The Last Shot	09/2004	42	464	N/A	464	218
	Serendipity	10/2001	28	50,255	28,050	78,305	34,840
	Town & Country	04/2001	90	6,712	3,760	10,472	4,659
	Breakfast of Champions	09/1999	12	175	N/A	175	82
	The Real Blonde	02/1998	N/A	356	N/A	356	167
	To Die For	10/1995	20	20,906	9,700	30,606	13,706
	Even Cowgirls Get The Blues	05/1994	8	1,709	N/A	1,709	803
	Grumpy Old Men	12/1993	N/A	74,681	10,400	85,081	39,260
	Short Cuts	10/1993	N/A	6,015	N/A	6,015	2,827
	Defending Your Life	03/1991	N/A	16,351	N/A	16,351	7,685
	Tune In Tomorrow	10/1990	N/A	1,794	N/A	1,794	843
	Rude Awakening	08/1989	N/A	3,164	N/A	3,164	1,487

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.