Isabelle Huppert
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Mrs. Harris Goes to Paris	07/2022	26	10,550	18,750	29,300	12,459
	White as Snow	08/2021	8	N/A	N/A	N/A	N/A
	Mama Weed	07/2021	12	N/A	N/A	N/A	N/A
	Frankie	10/2019	6	N/A	N/A	N/A	N/A
	Greta	03/2019	11	10,480	8,760	19,240	8,430
	Souvenir	03/2018	6	12	N/A	12	6
	Happy End	12/2017	15	300	1,500	1,800	741
	False Confessions	07/2017	6	30	N/A	30	14
	Things To Come	12/2016	3	N/A	N/A	N/A	N/A
	Elle	11/2016	6	N/A	N/A	N/A	N/A
	Louder Than Bombs	04/2016	12	162	440	602	252
	Valley Of Love	03/2016	10	N/A	N/A	N/A	N/A
	The Disappearance Of Eleanor Rigby	09/2014	N/A	601	400	1,001	442
	Dormant Beauty	06/2014	N/A	N/A	N/A	N/A	N/A
	Dead Man Down	03/2013	40	10,675	7,430	18,105	7,989
	Amour	12/2012	10	6,650	13,875	20,525	8,676
	In Another Country	11/2012	N/A	22	N/A	22	10
	Special Treatment	08/2011	N/A	9	300	309	124
	White Material	11/2010	N/A	305	N/A	305	143
	Private Property (Nue propriete)	08/2007	N/A	63	385	448	184
	Gabrielle	07/2006	N/A	329	N/A	329	155
	Ma Mere	05/2005	N/A	70	N/A	70	33
	I Heart Huckabees	10/2004	22	12,600	N/A	12,600	5,922
	La Vie Promise	04/2004	N/A	39	N/A	39	18
	8 Women	09/2002	N/A	3,081	35,900	38,981	15,808
	Merci Pour Le Chocolat	07/2002	N/A	437	N/A	437	205
	The Destinees	05/2002	N/A	230	N/A	230	108
	The Piano Teacher	04/2002	N/A	523	N/A	523	246
	The School of Flesh	02/1999	N/A	402	N/A	402	189
	La Separation	10/1998	N/A	N/A	N/A	N/A	N/A
	Madame Bovary	11/1991	N/A	1,936	N/A	1,936	910

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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