
William Hurt
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The King`s Daughter | 01/2022 | 44 | N/A | N/A | N/A | N/A |
![]() | The Black Widow | 07/2021 | 200 | 184,900 | 198,730 | 383,630 | 166,395 |
![]() | The Last Full Measure | 01/2020 | 20 | N/A | N/A | N/A | N/A |
![]() | The Miracle Season | 04/2018 | 8 | 10,250 | N/A | 10,250 | 4,818 |
![]() | Captain America: Civil War | 05/2016 | 262 | 407,980 | 744,300 | 1,152,280 | 489,471 |
![]() | Race | 02/2016 | 28 | 1,380 | 24,340 | 25,720 | 10,385 |
![]() | The Disappearance Of Eleanor Rigby | 09/2014 | N/A | 601 | 400 | 1,001 | 442 |
![]() | Days And Nights | 09/2014 | N/A | 9 | N/A | 9 | 4 |
![]() | Winters Tale | 02/2014 | 65 | 12,875 | 18,400 | 31,275 | 13,411 |
![]() | The Host | 03/2013 | 45 | 26,340 | 23,400 | 49,740 | 21,740 |
![]() | Endgame | 11/2009 | N/A | 10 | 15 | 25 | 11 |
![]() | The Yellow Hankerchief | 12/2008 | 15 | 318 | N/A | 318 | 149 |
![]() | The Incredible Hulk | 06/2008 | 125 | 135,000 | 130,000 | 265,000 | 115,450 |
![]() | Noise | 05/2008 | N/A | 17 | N/A | 17 | 8 |
![]() | Vantage Point | 02/2008 | 42 | 72,450 | 81,500 | 153,950 | 66,652 |
![]() | Into The Wild | 09/2007 | 16 | 18,300 | 37,190 | 55,490 | 23,477 |
![]() | Mr. Brooks | 06/2007 | 20 | 28,500 | 17,000 | 45,500 | 20,195 |
![]() | The Good Shepherd | 12/2006 | 90 | 59,906 | 40,230 | 100,136 | 44,248 |
![]() | The King | 05/2006 | N/A | 281 | 485 | 766 | 326 |
![]() | Syriana | 11/2005 | 50 | 50,912 | 44,126 | 95,038 | 41,579 |
![]() | A History Of Violence | 09/2005 | 32 | 31,000 | 29,750 | 60,750 | 26,470 |
![]() | The Village | 07/2004 | 65 | 114,000 | 142,000 | 256,000 | 110,380 |
![]() | Blue Butterfly | 02/2004 | 10 | 2,140 | N/A | 2,140 | 1,006 |
![]() | Tuck Everlasting | 10/2002 | 15 | 18,804 | N/A | 18,804 | 8,838 |
![]() | Changing Lanes | 04/2002 | 47 | 67,950 | 30,600 | 98,550 | 44,177 |
![]() | The Simian Line | 11/2001 | N/A | 20 | N/A | 20 | 9 |
![]() | Kiss of the Spider Woman (re-issue) | 08/2001 | N/A | 32 | N/A | 32 | 15 |
![]() | A.I. Artificial Intelligence | 06/2001 | 90 | 78,617 | 156,400 | 235,017 | 99,510 |
![]() | Sunshine | 06/2000 | 15 | 5,059 | 2,675 | 7,734 | 3,448 |
![]() | The Big Chill ( inc. re-issue) | 11/1998 | N/A | 56,200 | N/A | 56,200 | 26,414 |
![]() | One True Thing | 09/1998 | 30 | 23,337 | N/A | 23,337 | 10,968 |
![]() | Lost in Space | 04/1998 | 80 | 69,118 | 66,900 | 136,018 | 59,245 |
![]() | The Proposition | 03/1998 | N/A | 122 | N/A | 122 | 57 |
![]() | Dark City | 02/1998 | 27 | 14,435 | 12,700 | 27,135 | 11,864 |
![]() | Michael | 12/1996 | N/A | 95,300 | 24,400 | 119,700 | 54,551 |
![]() | Jane Eyre | 04/1996 | N/A | 5,200 | N/A | 5,200 | 2,444 |
![]() | Smoke | 06/1995 | 7 | 8,349 | N/A | 8,349 | 3,924 |
![]() | Trial By Jury | 09/1994 | N/A | 6,970 | N/A | 6,970 | 3,276 |
![]() | Second Best | 09/1994 | N/A | 85 | N/A | 85 | 40 |
![]() | Mr. Wonderful | 10/1993 | N/A | 3,126 | N/A | 3,126 | 1,469 |
![]() | Until The End Of The World | 12/1991 | N/A | 753 | N/A | 753 | 354 |
![]() | The Doctor | 07/1991 | N/A | 36,796 | N/A | 36,796 | 17,294 |
![]() | Alice | 12/1990 | 15 | 6,760 | N/A | 6,760 | 3,177 |
![]() | I Love You To Death | 04/1990 | 8 | 16,200 | N/A | 16,200 | 7,614 |
![]() | The Accidental Tourist | 12/1988 | N/A | 33,830 | N/A | 33,830 | 15,900 |
![]() | A Time Of Destiny | 04/1988 | N/A | 1,213 | N/A | 1,213 | 570 |
![]() | Broadcast News | 12/1987 | N/A | 51,250 | N/A | 51,250 | 24,088 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Recent Television
Title | Network | Genre | Date | ||
---|---|---|---|---|---|
TO BIG TO FAIL | HBO | Wall Street Drama | 2011 | ||
BONNIE AND CLYDE | LIFETIME | Period Crime Drama | 2013 | ||
DAMAGES | DIRECT TV | Legal Drama | 2007-2012 | ||
HUMANS | AMC | Syfy Drama | 2015 | ||
BEOWULF: RETURN TO THE SHIELDLANDS | ESQUIRE NETWORK | Action Drama | 2016 | ||
GOLIATH | AMAZON | Drama | 2016 | ||
CONDOR | AUDIENCE | Action Drama | 6/2018 |
Contact Details
AGENT ICM 10250 Constellation Blvd. Los Angeles, CA 90067 T:(310) 550-4000 careersla@icmtalent.com |