Timothy Hutton
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	All The Money In The World	12/2017	52	25,030	32,560	57,590	24,788
	#Horror	11/2015	2	N/A	N/A	N/A	N/A
	Louder Than Words	08/2014	N/A	N/A	N/A	N/A	N/A
	Multiple Sarcasms	05/2010	N/A	30	N/A	30	14
	The Ghost Writer	02/2010	50	15,850	45,350	61,200	25,590
	Serious Moonlight	12/2009	N/A	26	N/A	26	12
	Lymelife	04/2009	2	421	105	526	240
	The Last Mimzy	03/2007	N/A	21,475	4,160	25,635	11,757
	The Good Shepherd	12/2006	90	59,906	40,230	100,136	44,248
	Off The Black	12/2006	N/A	17	N/A	17	8
	Stephanie Daley	04/2006	N/A	26	N/A	26	12
	Last Holiday	01/2006	45	38,400	5,050	43,450	20,068
	Kinsey	11/2004	12	10,275	N/A	10,275	4,829
	Secret Window	03/2004	40	48,000	45,000	93,000	40,560
	Sunshine State	06/2002	5	3,100	306	3,406	1,579
	Deterrence	03/2000	1	145	N/A	145	68
	The Generals Daughter	06/1999	60	102,706	44,000	146,706	65,872
	Playing God	10/1997	N/A	4,167	N/A	4,167	1,958
	City of Industry	03/1997	8	1,549	N/A	1,549	728
	The Substance of Fire	12/1996	N/A	66	N/A	66	31
	Beautiful Girls	02/1996	N/A	20,837	N/A	20,837	9,793
	French Kiss	05/1995	N/A	39,000	58,000	97,000	41,530
	The Dark Half	04/1993	N/A	9,579	N/A	9,579	4,502
	The Temp	02/1993	N/A	6,419	N/A	6,419	3,017
	Q&A	04/1990	N/A	10,639	N/A	10,639	5,000
	Everybodys All-American	11/1988	N/A	12,638	N/A	12,638	5,940
	Betrayed	08/1988	N/A	23,672	N/A	23,672	11,126
	A Time Of Destiny	04/1988	N/A	1,213	N/A	1,213	570

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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