Michael Imperioli
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Primal	11/2019	32	N/A	N/A	N/A	N/A
	The Wannabe	12/2015	N/A	N/A	N/A	N/A	N/A
	The Scribbler	09/2014	8	N/A	N/A	N/A	N/A
	Cantinflas	09/2014	N/A	6,250	N/A	6,250	2,938
	The M Word	04/2014	N/A	N/A	N/A	N/A	N/A
	Oldboy	11/2013	33	2,040	2,875	4,915	2,109
	The Call	03/2013	15	51,400	18,290	69,690	31,474
	The Lovely Bones	12/2009	70	44,120	45,675	89,795	39,006
	The Inner LIfe Of Martin Frost	09/2007	N/A	6	130	136	55
	Shark Tale	10/2004	80	161,000	208,000	369,000	158,870
	My Babys Daddy	01/2004	N/A	17,300	N/A	17,300	8,131
	Love In The Time Of Money	11/2002	N/A	6	N/A	6	3
	Summer of Sam	07/1999	22	19,288	N/A	19,288	9,065
	Trees Lounge	10/1996	1	696	N/A	696	327
	Last Man Standing	09/1996	67	18,132	20,000	38,132	16,522
	Sweet Nothing	09/1996	N/A	102	N/A	102	48
	I Shot Andy Warhol	05/1996	N/A	1,862	N/A	1,862	875
	Girl 6	03/1996	N/A	4,940	N/A	4,940	2,322
	Dead Presidents	10/1995	15	24,021	N/A	24,021	11,290
	Clockers	09/1995	N/A	13,040	N/A	13,040	6,129
	Bad Boys	04/1995	23	65,806	74,000	139,806	60,529
	The Basketball Diaries	04/1995	N/A	2,423	N/A	2,423	1,139
	Household Saints	09/1993	N/A	574	N/A	574	270
	The Night We Never Met	04/1993	8	1,885	N/A	1,885	886
	Malcolm X	11/1992	25	48,169	24,933	73,102	32,613
	Jungle Fever	06/1991	14	33,349	13,650	46,999	21,134
	Goodfellas	09/1990	25	43,618	14,600	58,218	26,340
	Lean on Me	03/1989	N/A	30,639	N/A	30,639	14,400

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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