Brion James
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Enid Is Sleeping	02/2008	N/A	N/A	N/A	N/A	N/A
	The King Is Alive	05/2001	N/A	108	N/A	108	51
	Browns Requiem	02/2000	N/A	3	N/A	3	1
	Radioland Murders	10/1994	N/A	1,311	N/A	1,311	616
	Cabin Boy	01/1994	N/A	3,662	N/A	3,662	1,721
	Striking Distance	09/1993	N/A	23,798	32,200	55,998	24,065
	Nemesis	01/1993	N/A	1,468	N/A	1,468	690
	The Player	04/1992	N/A	17,915	N/A	17,915	8,420
	Another 48 Hours	06/1990	N/A	85,320	N/A	85,320	40,100
	Tango & Cash	12/1989	N/A	64,043	N/A	64,043	30,100
	Red Scorpion	04/1989	16	4,256	N/A	4,256	2,000
	The Horror Show	04/1989	N/A	1,379	N/A	1,379	648
	Red Heat	06/1988	N/A	34,043	N/A	34,043	16,000
	D.O.A.	03/1988	N/A	11,406	N/A	11,406	5,361

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.