
Cherry Jones
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The Eyes of Tammy Faye | 09/2021 | 32 | N/A | N/A | N/A | N/A |
![]() | Our Friend | 01/2021 | 15 | N/A | N/A | N/A | N/A |
![]() | A Rainy Day in New York | 11/2020 | 20 | N/A | 22,180 | 22,180 | 8,872 |
![]() | Motherless Brooklyn | 11/2019 | 27 | 10,130 | 11,278 | 21,408 | 9,272 |
![]() | Wine Country | 05/2019 | 12 | N/A | N/A | N/A | N/A |
![]() | The Party | 02/2018 | 8 | 750 | N/A | 750 | 353 |
![]() | Knight Of Cups | 03/2016 | N/A | N/A | N/A | N/A | N/A |
![]() | I Saw The Light | 03/2016 | 8 | 1,650 | N/A | 1,650 | 776 |
![]() | Days And Nights | 09/2014 | N/A | 9 | N/A | 9 | 4 |
![]() | Mother And Child | 05/2010 | 8 | 1,100 | 1,710 | 2,810 | 1,201 |
![]() | Amelia | 10/2009 | 45 | 14,250 | 5,340 | 19,590 | 8,834 |
![]() | Swimmers, | 03/2006 | N/A | 33 | N/A | 33 | 16 |
![]() | Oceans Twelve | 12/2004 | 100 | 126,000 | 237,000 | 363,000 | 154,020 |
![]() | The Village | 07/2004 | 65 | 114,000 | 142,000 | 256,000 | 110,380 |
![]() | Signs | 08/2002 | 62 | 228,000 | 173,600 | 401,600 | 176,600 |
![]() | Divine Secrets Of The Ya-Ya Sisterhood | 06/2002 | 28 | 69,600 | 5,200 | 74,800 | 34,792 |
![]() | The Perfect Storm | 06/2000 | 120 | 182,618 | 140,000 | 322,618 | 141,830 |
![]() | Erin Brockovich | 03/2000 | 51 | 125,595 | 132,300 | 257,895 | 111,950 |
![]() | Cradle Will Rock | 12/1999 | 32 | 2,900 | N/A | 2,900 | 1,363 |
![]() | The Horse Whisperer | 05/1998 | 60 | 75,374 | 109,300 | 184,674 | 79,146 |
![]() | Housesitter | 05/1992 | N/A | 58,500 | 36,400 | 94,900 | 42,055 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Recent Television
Title | Network | Genre | Date | ||
---|---|---|---|---|---|
11.22.63 | HULU | Sci-Fi Thriller | 2016 | ||
DEFENDING JACOB | Apple TV+ | Thriller | 1/2020 | ||
FIVE DAYS AT MEMORIAL | Apple TV+ | Survival Drama | 8/2022 | ||
POKER FACE | PEACOCK | Comedy Drama | 1/2023 |
Contact Details
AGENT WME 9601 Wilshire Blvd. Beverly Hills, CA 90210 T:(310) 285-9000 |