Doug Jones
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Gehenna: Where Death Lives	05/2018	1	N/A	3	3	1
	The Shape Of Water	12/2017	21	63,850	132,400	196,250	82,970
	The Bye Bye Man	01/2017	7	22,250	4,275	26,525	12,168
	Ouija: Origin Of Evil	10/2016	10	34,980	47,630	82,610	35,493
	Crimson Peak	10/2015	57	30,120	43,670	73,790	31,624
	Joe Dies At The End	01/2013	N/A	142	N/A	142	67
	The Watch	07/2012	75	35,100	30,450	65,550	28,677
	Gainsbourg: A Heroic Life	08/2011	N/A	233	12,100	12,333	4,950
	Super Capers: The Origins Of Ed And The Missing Bullion	03/2009	N/A	31	N/A	31	15
	Hellboy 2: The Golden Army	07/2008	82	76,120	80,560	156,680	68,000
	Fantastic Four: Rise Of The Silver Surfer	06/2007	120	132,400	156,420	288,820	124,796
	Pans Labyrinth (El Laberinto del Fauno)	12/2006	20	37,815	45,000	82,815	35,773
	Lady In The Water	07/2006	75	42,000	30,000	72,000	31,740
	The Benchwarmers	04/2006	35	59,844	5,000	64,844	30,127
	Doom	10/2005	72	28,000	24,000	52,000	22,760
	Hellboy	04/2004	60	59,000	40,000	99,000	43,730
	Hocus Pocus	07/1993	N/A	37,596	5,154	42,750	19,732

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.