
Tommy Lee Jones
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Finestkind | 10/2023 | N/A | N/A | N/A | N/A | N/A |
![]() | Wander | 12/2020 | 20 | N/A | N/A | N/A | N/A |
![]() | Ad Astra | 09/2019 | 83 | 50,650 | 78,510 | 129,160 | 55,210 |
![]() | Shock And Awe | 07/2018 | N/A | 78 | N/A | 78 | 37 |
![]() | Just Getting Started | 12/2017 | 23 | 6,050 | 1,560 | 7,610 | 3,468 |
![]() | Mechanic: Resurrection | 08/2016 | 42 | N/A | N/A | N/A | N/A |
![]() | Jason Bourne | 07/2016 | 126 | 162,430 | 255,600 | 418,030 | 178,582 |
![]() | Criminal | 04/2016 | 33 | 14,670 | 26,120 | 40,790 | 17,343 |
![]() | The Homesman | 11/2014 | N/A | 2,250 | N/A | 2,250 | 1,058 |
![]() | The Family | 09/2013 | 33 | 37,100 | 33,400 | 70,500 | 30,797 |
![]() | Emperor | 03/2013 | 26 | 3,280 | N/A | 3,280 | 1,542 |
![]() | Lincoln | 11/2012 | 72 | 181,520 | 94,860 | 276,380 | 123,258 |
![]() | Hope Springs | 08/2012 | 34 | 62,950 | 42,500 | 105,450 | 46,587 |
![]() | Men In Black 3 | 05/2012 | 250 | 178,400 | 446,200 | 624,600 | 262,328 |
![]() | Captain America: The First Avenger | 07/2011 | 150 | 176,500 | 195,430 | 371,930 | 161,127 |
![]() | The Company Men | 01/2011 | 17 | 4,450 | 450 | 4,900 | 2,272 |
![]() | Harvard Beats Yale 29-29 | 03/2009 | N/A | 270 | N/A | 270 | 127 |
![]() | No Country For Old Men | 11/2007 | 27 | 74,950 | 97,980 | 172,930 | 74,419 |
![]() | In The Valley Of Elah | 09/2007 | 24 | 6,850 | 22,750 | 29,600 | 12,320 |
![]() | A Prairie Home Companion | 06/2006 | 10 | 20,343 | 6,180 | 26,523 | 12,033 |
![]() | The Three Burials Of Melquiades Estrada | 12/2005 | N/A | 5,027 | 7,100 | 12,127 | 5,203 |
![]() | Man Of The House | 02/2005 | 45 | 20,100 | 2,000 | 22,100 | 10,247 |
![]() | The Missing | 11/2003 | 65 | 26,122 | 12,300 | 38,422 | 17,197 |
![]() | The Hunted | 03/2003 | 53 | 34,244 | 15,000 | 49,244 | 22,095 |
![]() | Men In Black 2 | 07/2002 | 147 | 190,000 | 251,400 | 441,400 | 189,860 |
![]() | Space Cowboys | 08/2000 | 65 | 90,180 | 38,300 | 128,480 | 57,705 |
![]() | Rules Of Engagement | 04/2000 | 60 | 61,335 | 12,400 | 73,735 | 33,787 |
![]() | Double Jeopardy | 09/1999 | 40 | 116,732 | 61,300 | 178,032 | 79,384 |
![]() | Small Soldiers | 07/1998 | 40 | 55,144 | 32,400 | 87,544 | 38,878 |
![]() | U.S. Marshals | 03/1998 | 60 | 57,834 | 45,200 | 103,034 | 45,262 |
![]() | Men in Black | 06/1997 | 90 | 250,005 | 337,000 | 587,005 | 252,302 |
![]() | Volcano | 04/1997 | 90 | 51,113 | 73,500 | 124,613 | 53,423 |
![]() | Batman Forever | 06/1995 | 100 | 184,000 | 149,600 | 333,600 | 146,320 |
![]() | Cobb | 12/1994 | N/A | 1,000 | N/A | 1,000 | 470 |
![]() | Blue Sky | 09/1994 | N/A | 3,360 | N/A | 3,360 | 1,579 |
![]() | Natural Born Killers | 08/1994 | 50 | 50,177 | 24,900 | 75,077 | 33,543 |
![]() | Blown Away | 07/1994 | 20 | 30,153 | 22,600 | 52,753 | 23,212 |
![]() | The Client | 07/1994 | N/A | 93,618 | 51,800 | 145,418 | 64,720 |
![]() | Heaven and Earth | 12/1993 | 33 | 6,779 | N/A | 6,779 | 3,186 |
![]() | The Fugitive | 08/1993 | 44 | 183,876 | 186,000 | 369,876 | 160,822 |
![]() | House Of Cards | 06/1993 | N/A | 324 | N/A | 324 | 152 |
![]() | Under Siege | 10/1992 | 12 | 83,363 | 73,000 | 156,363 | 68,381 |
![]() | JFK | 12/1991 | 40 | 72,341 | 135,000 | 207,341 | 88,000 |
![]() | Fire Birds | 05/1990 | N/A | 16,138 | N/A | 16,138 | 7,585 |
![]() | The Package | 08/1989 | N/A | 10,647 | N/A | 10,647 | 5,004 |
![]() | Stormy Monday | 04/1988 | N/A | 1,800 | N/A | 1,800 | 846 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT CAA 2000 Avenue Of The Stars Los Angeles, CA 90067 T:(424) 288-2000 | ATTORNEY JACOBSON RUSSELL SALTZ AND FINGERMAN 10866 Wilshire Blvd. Los Angeles, CA 90024 T:(310) 446-9909 info@jrsnd.com |