Arielle Kebbel
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Fifty Shades Freed	02/2018	57	100,340	272,400	372,740	156,120
	I Melt With You	12/2011	N/A	7	N/A	7	3
	The Uninvited	01/2009	18	29,450	13,130	42,580	19,094
	Forever Strong	09/2008	N/A	720	N/A	720	338
	The Grudge 2	10/2006	20	39,144	29,500	68,644	30,198
	John Tucker Must Die	07/2006	18	41,012	17,000	58,012	26,076
	Aquamarine	03/2006	N/A	18,597	N/A	18,597	8,741
	The Kid & I	12/2005	5	N/A	N/A	N/A	N/A
	Dirty Deeds	08/2005	N/A	147	N/A	147	69
	Be Cool	03/2005	55	55,809	39,000	94,809	41,830
	Soul Plane	05/2004	16	14,200	N/A	14,200	6,674

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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