Diane Kruger
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Marlowe	02/2023	32	4,400	1,400	5,800	2,628
	The 355	01/2022	78	14,875	13,780	28,655	12,503
	JT Leroy	04/2019	3	N/A	N/A	N/A	N/A
	Welcome To Marwen	12/2018	41	10,870	2,250	13,120	6,009
	In the Fade	12/2017	5	321	4,720	5,041	2,039
	Fathers & Daughters	07/2016	20	N/A	N/A	N/A	N/A
	The Infiltrator	07/2016	27	15,275	2,980	18,255	8,371
	Sky	04/2016	N/A	N/A	N/A	N/A	N/A
	The Better Angels	11/2014	N/A	71	N/A	71	33
	Mr. Nobody	11/2013	52	4	3,678	3,682	1,473
	The Host	03/2013	45	26,340	23,400	49,740	21,740
	Farewell My Queen	07/2012	N/A	1,310	N/A	1,310	616
	Unknown	02/2011	35	64,000	67,750	131,750	57,180
	Inhale	10/2010	N/A	4	1	5	2
	Farewell	07/2010	15	N/A	N/A	N/A	N/A
	Inglourious Basterds	08/2009	75	125,000	195,000	320,000	136,750
	National Treasure: Book Of Secrets	12/2007	135	219,921	236,700	456,621	198,043
	Goodbye Bafana	12/2007	30	N/A	N/A	N/A	N/A
	Days Of Darkness (LAge des tenebres)	12/2007	N/A	N/A	N/A	N/A	N/A
	The Hunting Party	09/2007	N/A	880	615	1,495	660
	Copying Beethoven	11/2006	11	353	N/A	353	166
	Joyeux Noel	03/2006	22	1,054	16,600	17,654	7,135
	National Treasure	11/2004	100	174,000	172,000	346,000	150,580
	Wicker Park	09/2004	32	13,000	N/A	13,000	6,110
	Troy	05/2004	185	133,000	364,000	497,000	208,110
	Michel Vaillant	07/2003	N/A	N/A	N/A	N/A	N/A

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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