Lisa Kudrow
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Boss Baby	07/2021	128	58,120	72,300	130,420	56,236
	Booksmart	05/2019	7	22,500	2,250	24,750	11,475
	Table 19	03/2017	5	3,560	1,568	5,128	2,300
	The Boss Baby	03/2017	130	175,000	355,400	530,400	224,410
	The Girl On The Train	10/2016	48	75,120	102,400	177,520	76,266
	Neighbors 2: Sorority Rising	05/2016	37	55,120	53,400	108,520	47,266
	Neighbors	05/2014	20	151,300	120,400	271,700	119,271
	The Other Woman	02/2011	14	26	425	451	182
	Easy A	09/2010	10	58,500	17,250	75,750	34,395
	Powder Blue	05/2009	N/A	N/A	N/A	N/A	N/A
	Hotel For Dogs	01/2009	38	73,025	44,120	117,145	51,970
	Kabluey	07/2008	N/A	84	14,135	14,219	5,693
	P.S. I Love You	12/2007	30	53,720	104,100	157,820	66,888
	Happy Endings	07/2005	N/A	1,316	N/A	1,316	619
	Wonderland	10/2003	5	1,061	1,540	2,601	1,115
	Marci X	08/2003	N/A	1,649	N/A	1,649	775
	Analyze That	12/2002	N/A	32,800	N/A	32,800	15,416
	All Over The Guy	08/2001	N/A	1,022	N/A	1,022	480
	Dr. Dolittle 2	06/2001	72	112,953	62,400	175,353	78,048
	Lucky Numbers	10/2000	65	10,043	N/A	10,043	4,720
	Hanging Up	02/2000	40	36,050	15,800	51,850	23,264
	Analyze This	03/1999	30	106,886	70,000	176,886	78,236
	Clockwatchers	05/1998	N/A	444	N/A	444	209
	Romy and Micheles High School Reunion	04/1997	N/A	29,235	8,300	37,535	17,060
	Mother	12/1996	N/A	18,883	N/A	18,883	8,875
	The Unborn	03/1991	N/A	1,160	N/A	1,160	545

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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