Anthony LaPaglia
Actor
Financial Data
Film Title Release (m/yr)
| Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
|---|---|---|---|---|---|---|---|
 | Nitram | 03/2022 | 5 | N/A | N/A | N/A | N/A |
 | Pearl | 08/2020 | 1 | N/A | N/A | N/A | N/A |
 | Annabelle: Creation | 08/2017 | 16 | 102,100 | 205,600 | 307,700 | 130,227 |
 | The Assignment | 04/2017 | 6 | 207 | N/A | 207 | 97 |
 | This Isn't Funny | 11/2015 | N/A | 5 | N/A | 5 | 2 |
 | Big Stone Gap | 10/2015 | N/A | 1,020 | N/A | 1,020 | 479 |
 | A Good Marriage | 10/2014 | N/A | N/A | N/A | N/A | N/A |
 | Happy Feet Two | 11/2011 | 140 | 65,030 | 86,810 | 151,840 | 65,288 |
 | Legends Of The Guardians: The Owls Of GaHoole | 09/2010 | 85 | 56,000 | N/A | 56,000 | 26,320 |
 | $9.99 | 04/2009 | N/A | 53 | 660 | 713 | 289 |
 | The Architect | 12/2006 | N/A | 13 | N/A | 13 | 6 |
 | Happy Feet | 11/2006 | 86 | 198,001 | 186,000 | 384,001 | 167,460 |
 | Winter Solstice | 04/2005 | N/A | 320 | N/A | 320 | 150 |
 | The Guys | 04/2003 | N/A | 16 | N/A | 16 | 8 |
 | Analyze That | 12/2002 | N/A | 32,800 | N/A | 32,800 | 15,416 |
 | The Salton Sea | 04/2002 | 18 | 631 | N/A | 631 | 297 |
 | Lantana | 12/2001 | N/A | 4,461 | N/A | 4,461 | 2,097 |
 | The House Of Mirth | 12/2000 | 10 | 3,042 | N/A | 3,042 | 1,430 |
 | Autumn In New York | 08/2000 | 40 | 37,753 | 45,000 | 82,753 | 35,744 |
 | Sweet and Lowdown | 12/1999 | 14 | 4,197 | N/A | 4,197 | 1,973 |
 | Summer of Sam | 07/1999 | 22 | 19,288 | N/A | 19,288 | 9,065 |
 | Phoenix | 09/1998 | N/A | 44 | N/A | 44 | 21 |
 | Brilliant Lies | 08/1997 | N/A | 6 | N/A | 6 | 3 |
 | Lucky Break (Paperback Romance) | 08/1997 | N/A | 121 | N/A | 121 | 57 |
 | Commandments | 04/1997 | N/A | 548 | N/A | 548 | 258 |
 | Trees Lounge | 10/1996 | 1 | 696 | N/A | 696 | 327 |
 | Empire Records | 10/1995 | N/A | 301 | N/A | 301 | 141 |
 | Mixed Nuts | 12/1994 | N/A | 6,798 | N/A | 6,798 | 3,195 |
 | The Client | 07/1994 | N/A | 93,618 | 51,800 | 145,418 | 64,720 |
 | So I Married An Axe Murderer | 07/1993 | N/A | 11,585 | N/A | 11,585 | 5,445 |
 | Innocent Blood | 09/1992 | N/A | 4,800 | N/A | 4,800 | 2,256 |
 | Whispers In The Dark | 08/1992 | N/A | 10,215 | N/A | 10,215 | 4,801 |
 | 29th Street | 11/1991 | N/A | 1,838 | N/A | 1,838 | 864 |
 | One Good Cop | 05/1991 | N/A | 11,266 | N/A | 11,266 | 5,295 |
 | He Said, She Said | 02/1991 | N/A | 9,660 | N/A | 9,660 | 4,540 |
 | Betsys Wedding | 06/1990 | N/A | 20,838 | N/A | 20,838 | 9,794 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
