Adrian Lester
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Grey Lady	04/2017	N/A	N/A	N/A	N/A	N/A
	Case 39	10/2010	29	13,275	15,120	28,395	12,287
	Doomsday	03/2008	30	111,009	10,720	121,729	56,462
	Starting Out In The Evening	11/2007	N/A	581	N/A	581	273
	Spider Man 3	05/2007	265	337,000	554,000	891,000	379,990
	The Day After Tomorrow	05/2004	125	187,000	363,000	550,000	233,090
	Dust	08/2003	N/A	N/A	N/A	N/A	N/A
	Born Romantic	09/2001	N/A	15	N/A	15	7
	Maybe Baby	08/2001	N/A	19	7,007	7,026	2,812
	Loves Labours Lost	06/2000	N/A	300	N/A	300	141
	Primary Colors	03/1998	65	39,300	11,700	51,000	23,151

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.