Chi McBride
Actor
Financial Data
Film Title Release (m/yr)
| Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
|---|---|---|---|---|---|---|---|
 | Draft Day | 04/2014 | 16 | 28,650 | 750 | 29,400 | 13,766 |
 | Pawn Shop Chronicles | 07/2013 | 6 | 8 | N/A | 8 | 4 |
 | The Family Tree | 08/2011 | N/A | 6 | N/A | 6 | 3 |
 | First Sunday | 01/2008 | N/A | 38,050 | 1,020 | 39,070 | 18,292 |
 | Brothers Solomon | 09/2007 | 11 | 1,000 | 135 | 1,135 | 524 |
 | Lets Go To Prison | 11/2006 | N/A | 4,630 | N/A | 4,630 | 2,176 |
 | Annapolis | 01/2006 | N/A | 17,128 | 400 | 17,528 | 8,210 |
 | Waiting | 10/2005 | 1 | 16,125 | 2,550 | 18,675 | 8,599 |
 | I,Robot | 07/2004 | 110 | 145,000 | 201,000 | 346,000 | 148,550 |
 | The Terminal | 06/2004 | 60 | 77,000 | 116,000 | 193,000 | 82,590 |
 | Narc | 12/2002 | 8 | 10,460 | 2,000 | 12,460 | 5,716 |
 | Paid In Full | 10/2002 | N/A | 3,100 | N/A | 3,100 | 1,457 |
 | Undercover Brother | 05/2002 | 25 | 38,300 | 600 | 38,900 | 18,241 |
 | Roll Bounce | 09/2000 | N/A | 17,375 | 120 | 17,495 | 8,214 |
 | Disneys The Kid | 07/2000 | 65 | 69,692 | 35,400 | 105,092 | 46,915 |
 | Gone In 60 Seconds | 06/2000 | 90 | 101,649 | 135,760 | 237,409 | 102,079 |
 | Mercury Rising | 04/1998 | 60 | 32,983 | 55,500 | 88,483 | 37,702 |
 | Hoodlum | 03/1997 | N/A | 23,496 | 200 | 23,696 | 11,123 |
 | The Frighteners | 07/1996 | 30 | 16,749 | N/A | 16,749 | 7,872 |
 | Whats Love Got To Do With It | 06/1993 | 18 | 39,100 | 20,500 | 59,600 | 26,577 |
 | The Distinguished Gentleman | 12/1992 | N/A | 47,302 | 36,750 | 84,052 | 36,932 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
