Simon McBurney
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Pale Blue Eye	01/2023	75	N/A	N/A	N/A	N/A
	The Mercy	11/2018	27	N/A	N/A	N/A	N/A
	Allied	11/2016	90	39,800	75,500	115,300	48,906
	The Conjuring 2	06/2016	42	102,356	218,700	321,056	135,587
	Mission Impossible: Rogue Nation	07/2015	160	194,750	485,000	679,750	285,533
	Magic In The Moonlight	07/2014	21	10,507	22,300	32,807	13,858
	Tinker Tailor Soldier Spy	12/2011	22	23,850	56,260	80,110	33,714
	Jane Eyre	03/2011	15	11,250	24,120	35,370	14,936
	Boogie Woogie	04/2010	6	3	45	48	19
	The Duchess	09/2008	22	14,360	21,340	35,700	15,285
	The Golden Compass	12/2007	150	70,860	304,000	374,860	154,904
	The Last King Of Scotland	09/2006	6	17,808	30,650	48,458	20,630
	Friends With Money	04/2006	7	13,367	5,012	18,379	8,287
	Bright Young Things	08/2004	N/A	932	N/A	932	438
	The Manchurian Candidate	07/2004	80	66,000	29,000	95,000	42,620
	The Reckoning	03/2004	N/A	257	N/A	257	121
	Onegin	12/1999	14	184	N/A	184	86
	Kafka	12/1991	11	1,059	N/A	1,059	498

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.