Natascha McElhone
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Sea	07/2017	6	N/A	N/A	N/A	N/A
	London Town	10/2016	5	N/A	N/A	N/A	N/A
	Mr. Church	09/2016	8	N/A	N/A	N/A	N/A
	Romeo And Juliet	10/2013	N/A	1,100	N/A	1,100	517
	Ladies In Lavender	04/2005	5	6,765	13,750	20,515	8,680
	City Of Ghosts	04/2003	18	325	N/A	325	153
	Laurel Canyon	03/2003	18	3,663	780	4,443	2,034
	Solaris	11/2002	47	14,844	10,900	25,744	11,337
	FearDotCom	08/2002	42	13,221	N/A	13,221	6,214
	Loves Labours Lost	06/2000	N/A	300	N/A	300	141
	Ronin	09/1998	55	41,553	33,000	74,553	32,730
	The Truman Show	06/1998	60	125,618	118,800	244,418	106,560
	Mrs. Dalloway	02/1998	N/A	3,309	N/A	3,309	1,555
	The Devils Own	03/1997	80	42,886	97,900	140,786	59,316
	Surviving Picasso	09/1996	16	2,000	N/A	2,000	940

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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