Kate McKinnon
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	DC League of Super-Pets	07/2022	90	94,200	114,300	208,500	89,994
	Bombshell	12/2019	37	31,350	27,860	59,210	25,879
	Yesterday	06/2019	18	73,180	79,230	152,410	66,087
	Family	04/2019	6	N/A	N/A	N/A	N/A
	The Spy Who Dumped Me	08/2018	42	33,600	42,050	75,650	32,612
	Irreplaceable You	02/2018	7	N/A	N/A	N/A	N/A
	Ferdinand	12/2017	116	84,250	212,300	296,550	124,518
	Rough Night	06/2017	21	22,030	26,780	48,810	21,066
	Office Christmas Party	12/2016	47	54,560	60,120	114,680	49,691
	Masterminds	09/2016	26	N/A	N/A	N/A	N/A
	Ghostbusters	07/2016	152	127,600	102,400	230,000	100,932
	Finding Dory	06/2016	210	485,505	535,100	1,020,605	442,227
	The Angry Birds Movie	05/2016	76	107,430	245,120	352,550	148,540
	Sisters	12/2015	32	88,006	17,650	105,656	48,423

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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