Joel Michaely
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Card Counter	09/2021	35	N/A	N/A	N/A	N/A
	The Courier	11/2019	18	N/A	N/A	N/A	N/A
	Wild Nights With Emily	04/2019	4	N/A	N/A	N/A	N/A
	Little Women (2018)	09/2018	9	1,400	N/A	1,400	658
	Carrie Pilby	03/2017	8	19	N/A	19	9
	Private Number	05/2015	N/A	N/A	N/A	N/A	N/A
	Answers To Nothing	12/2011	N/A	22	N/A	22	10
	Itty Bitty Titty Commitee	09/2007	1	17	N/A	17	8
	Factory Girl	12/2006	7	1,670	1,550	3,220	1,405
	Cruel World	10/2006	2	16	N/A	16	8
	Kiss Kiss Bang Bang	10/2005	15	4,213	11,326	15,539	6,511
	This Girls Life	11/2004	N/A	N/A	N/A	N/A	N/A
	Wonderland	10/2003	5	1,061	1,540	2,601	1,115
	The Rules Of Attraction	10/2002	4	6,533	5,420	11,953	5,239
	But Im A Cheerleader	07/2000	N/A	2,206	N/A	2,206	1,037
	Cant Hardly Wait	06/1998	10	25,605	2,600	28,205	13,074

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.