Rhona Mitra
Actor - Born: Paddington, London, England, UK

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Archive	07/2020	8	N/A	N/A	N/A	N/A
	The Loft	01/2015	6	6,105	4,160	10,265	4,533
	Reuniting The Rubins	03/2012	N/A	13	N/A	13	6
	Stolen Lives	03/2010	3	8	N/A	8	4
	Underworld; Rise Of The Lycans	01/2009	36	46,120	45,285	91,405	39,790
	Doomsday	03/2008	30	111,009	10,720	121,729	56,462
	Skinwalkers	07/2007	N/A	1,027	1,535	2,562	1,097
	Shooter	03/2007	63	47,200	48,700	95,900	41,664
	The Number 23	01/2007	30	35,250	41,150	76,400	33,028
	Highwaymen	02/2004	N/A	216	N/A	216	102
	The Life Of David Gale	02/2003	50	19,626	19,000	38,626	16,824
	Sweet Home Alabama	09/2002	38	126,762	55,400	182,162	81,738
	Get Carter	09/2000	40	14,967	N/A	14,967	7,034
	Hollow Man	08/2000	95	73,209	117,000	190,209	81,208

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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