Glenn Morshower
Actor - Born: 24-Apr-59 Dallas, Texas, USA

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Color Me You	04/2018	4	N/A	N/A	N/A	N/A
	Bomb City	02/2018	4	60	N/A	60	28
	Curvature	02/2018	7	N/A	N/A	N/A	N/A
	Aftermath	04/2017	12	675	N/A	675	317
	When The Bough Breaks	09/2016	12	29,550	1,020	30,570	14,297
	Dark Places	06/2015	21	208	3,300	3,508	1,418
	After Earth	05/2013	148	60,350	186,750	247,100	103,065
	Backwards	09/2012	N/A	60	N/A	60	28
	Moneyball	09/2011	55	74,300	26,750	101,050	45,621
	Transformers; Dark Of the Moon	06/2011	205	351,200	775,320	1,126,520	475,192
	The Men Who Stare At Goats	11/2009	28	32,450	37,525	69,975	30,262
	Transformers: Revenge Of The Fallen	06/2009	220	405,000	435,000	840,000	364,350
	Transformers	07/2007	150	320,219	385,316	705,535	304,629
	Delta Farce	05/2007	N/A	8,130	2,205	10,335	4,703
	All The Kings Men	09/2006	60	7,221	N/A	7,221	3,394
	Good Night And Good Luck	10/2005	8	31,623	23,100	54,723	24,103
	The Island	07/2005	125	36,000	130,000	166,000	68,920
	Hostage	03/2005	52	35,000	43,200	78,200	33,730
	The Last Shot	09/2004	42	464	N/A	464	218
	The Core	03/2003	70	31,117	41,000	72,117	31,025
	Blood Work	08/2002	50	26,218	6,200	32,418	14,802
	Black Hawk Down	12/2001	95	108,000	65,000	173,000	76,760
	Phoenix	09/1998	N/A	44	N/A	44	21
	The River Wild	09/1994	45	47,957	48,100	96,057	41,780
	In The Army Now	08/1994	N/A	28,900	2,500	31,400	14,583
	Under Siege	10/1992	12	83,363	73,000	156,363	68,381

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.