James Nesbitt
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Hobbit: The Battle Of The Five Armies	12/2014	250	253,795	700,820	954,615	399,612
	The Hobbit: The Desolation Of Smaug	12/2013	245	262,100	702,550	964,650	404,207
	The Hobbit: An Unexpected Journey	12/2012	200	302,375	720,040	1,022,415	430,132
	Coriolanus	01/2012	N/A	760	320	1,080	485
	The Way	10/2011	N/A	4,440	N/A	4,440	2,087
	Scoop	07/2006	14	10,526	30,560	41,086	17,171
	Match Point	12/2005	15	23,704	64,000	87,704	36,741
	Millions	03/2005	N/A	6,585	5,200	11,785	5,175
	The Boys From County Clare	03/2005	N/A	132	N/A	132	62
	Bloody Sunday	10/2002	5	761	N/A	761	358
	Lucky Break	04/2002	6	52	N/A	52	24
	Waking Ned Devine	11/1998	3	24,792	12,000	36,792	16,452
	Go Now	05/1998	N/A	35	N/A	35	16
	Welcome To Sarajevo	11/1997	9	183	N/A	183	86
	Jude	10/1996	N/A	419	N/A	419	197

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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