Michael O`Neill
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Indivisible	10/2018	5	N/A	N/A	N/A	N/A
	J. Edgar	11/2011	40	N/A	N/A	N/A	N/A
	Transformers	07/2007	150	320,219	385,316	705,535	304,629
	Around The Bend	10/2004	N/A	194	N/A	194	91
	Secondhand Lions	09/2003	30	41,521	2,000	43,521	20,315
	Seabiscuit	07/2003	90	120,171	30,000	150,171	68,480
	Manic	04/2003	N/A	70	N/A	70	33
	The Legend Of Bagger Vance	11/2000	60	30,695	N/A	30,695	14,427
	The Mod Squad	03/1999	N/A	13,264	N/A	13,264	6,234
	Dancer Texas	05/1998	N/A	566	N/A	566	266
	The Sunchaser	10/1996	N/A	28	N/A	28	13
	Jennifer Eight	11/1992	N/A	11,236	N/A	11,236	5,281
	The Gun In Betty Lous Handbag	08/1992	N/A	3,132	N/A	3,132	1,472
	Sea of Love	09/1989	N/A	60,902	52,300	113,202	49,544

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.