
Edward James Olmos
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The Devil Has A Name | 10/2020 | 8 | N/A | N/A | N/A | N/A |
![]() | Imprisoned | 09/2019 | 12 | N/A | N/A | N/A | N/A |
![]() | A Dog`s Way Home | 01/2019 | 15 | 42,000 | 35,400 | 77,400 | 33,900 |
![]() | Coco | 11/2017 | 183 | 210,000 | 601,400 | 811,400 | 339,260 |
![]() | Blade Runner 2049 | 10/2017 | 157 | 91,889 | 167,800 | 259,689 | 110,308 |
![]() | Go For Sisters | 11/2013 | N/A | 62 | N/A | 62 | 29 |
![]() | 2 Guns | 08/2013 | 68 | 75,120 | 45,300 | 120,420 | 53,426 |
![]() | Filly Brown | 04/2013 | 2 | 2,750 | N/A | 2,750 | 1,293 |
![]() | The Green Hornet | 01/2011 | 130 | 99,560 | 130,750 | 230,310 | 99,093 |
![]() | Beverly Hills Chihuahua | 10/2008 | 22 | 95,225 | 55,090 | 150,315 | 66,792 |
![]() | Splinter | 08/2007 | N/A | 11 | N/A | 11 | 5 |
![]() | Gossip | 04/2000 | 14 | 5,108 | N/A | 5,108 | 2,401 |
![]() | The Road To El Dorado | 03/2000 | 90 | 50,864 | 27,100 | 77,964 | 34,746 |
![]() | The Disappearance of Garcia Lorca | 09/1997 | N/A | 266 | N/A | 266 | 125 |
![]() | Selena | 03/1997 | 21 | 35,452 | 5,900 | 41,352 | 19,022 |
![]() | Caught | 09/1996 | N/A | 326 | N/A | 326 | 153 |
![]() | My Family | 05/1995 | N/A | 11,079 | N/A | 11,079 | 5,207 |
![]() | A Million to Juan | 05/1994 | N/A | 1,221 | N/A | 1,221 | 574 |
![]() | American Me | 03/1992 | 16 | 13,181 | N/A | 13,181 | 6,195 |
![]() | Stand and Deliver | 03/1988 | N/A | 12,253 | N/A | 12,253 | 5,759 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT CAA 2000 Avenue Of The Stars Los Angeles, CA 90067 T:(424) 288-2000 | MANAGER UNTITLED ENTERTAINMENT 1801 Century park east Suite 700 Los Angeles , CA 90067 T:(310) 601-2100 | ATTORNEY LEONARD DICKER & SCHREIBER LLP 9430 Olympic Blvd. Suite # 400 Beverly Hills, CA 90212 T:(310) 551-1987 |