Michael Parks
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Savante, Stello	08/2016	10	N/A	N/A	N/A	N/A
	Tusk	09/2014	4	1,798	N/A	1,798	845
	We Are What We Are	09/2013	N/A	80	N/A	80	38
	Argo	10/2012	48	137,540	102,650	240,190	105,704
	The Assassination Of Jesse James	09/2007	33	3,890	11,125	15,015	6,278
	Grindhouse	04/2007	55	25,100	N/A	25,100	11,797
	Street Poet (Fighting Words)	04/2007	N/A	35	N/A	35	16
	Kill Bill Vol. 2	04/2004	30	66,000	87,000	153,000	65,820
	Big Bad Love	03/2002	N/A	96	N/A	96	45
	Niagara, Niagara	03/1998	N/A	214	N/A	214	101
	Deceiver	01/1998	N/A	570	N/A	570	268
	From Dusk Till Dawn	01/1996	20	25,800	34,600	60,400	25,966
	Death Wish V - The Face of Death	01/1994	N/A	1,703	N/A	1,703	800
	Storyville	08/1992	N/A	423	N/A	423	199
	The Hitman	10/1991	N/A	4,568	N/A	4,568	2,147

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.