Mark Pellegrino
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Beirut	04/2018	22	5,020	2,500	7,520	3,359
	Bad Turn Worse	11/2014	N/A	N/A	N/A	N/A	N/A
	We Gotta Get Out Of This Place	10/2013	N/A	N/A	N/A	N/A	N/A
	An American Affair	02/2009	N/A	28	N/A	28	13
	Caffeine	03/2007	5	N/A	N/A	N/A	N/A
	Ellie Parker	11/2005	N/A	35	N/A	35	16
	Capote	09/2005	7	28,768	21,458	50,226	22,104
	National Treasure	11/2004	100	174,000	172,000	346,000	150,580
	Spartan	03/2004	20	4,375	3,710	8,085	3,540
	Twisted	02/2004	50	25,000	14,000	39,000	17,350
	The Hunted	03/2003	53	34,244	15,000	49,244	22,095
	Lost In The Pershing Point Hotel	12/2001	N/A	N/A	N/A	N/A	N/A
	Mulholland Drive	10/2001	15	8,831	N/A	8,831	4,151
	Say It Isnt So	03/2001	N/A	5,516	N/A	5,516	2,593
	Drowning Mona	03/2000	16	15,507	475	15,982	7,478
	Blood & Concrete	09/1991	N/A	9	N/A	9	4
	No Holds Barred	06/1989	N/A	16,093	N/A	16,093	7,564

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.