David Hyde Pierce
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Perfect Host	07/2011	N/A	50	N/A	50	24
	Hellboy	04/2004	60	59,000	40,000	99,000	43,730
	Down With Love	05/2003	N/A	20,305	17,000	37,305	16,343
	Treasure Planet	11/2002	140	35,800	72,600	108,400	45,866
	Full Frontal	08/2002	2	2,513	N/A	2,513	1,181
	Osmosis Jones	08/2001	75	13,597	N/A	13,597	6,391
	Wet Hot American Summer	08/2001	N/A	293	N/A	293	138
	Isnt She Great	01/2000	36	2,962	N/A	2,962	1,392
	The Mating Habits of the Earth Bound Human	10/1999	N/A	5	N/A	5	2
	A Bugs Life	10/1998	45	162,799	192,600	355,399	153,556
	Nixon	11/1995	45	13,485	21,750	35,235	15,038
	Wolf	06/1994	70	72,341	41,100	113,441	50,440
	Addams Family Values	11/1993	28	48,860	64,300	113,160	48,684
	Sleepless In Seattle	06/1993	21	126,681	101,200	227,881	100,020
	Little Man Tate	10/1991	N/A	25,011	43,000	68,011	28,955
	The Fisher King	09/1991	24	41,498	23,120	64,618	28,752
	Crossing Delancey	08/1988	N/A	16,262	N/A	16,262	7,643

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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