
Christopher Plummer
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The Last Full Measure | 01/2020 | 20 | N/A | N/A | N/A | N/A |
![]() | Knives Out | 11/2019 | 42 | 165,756 | 147,800 | 313,556 | 137,025 |
![]() | Boundaries | 06/2018 | 8 | 700 | N/A | 700 | 329 |
![]() | All The Money In The World | 12/2017 | 52 | 25,030 | 32,560 | 57,590 | 24,788 |
![]() | The Man Who Invented Chrsitmas | 11/2017 | 12 | 5,650 | 2,890 | 8,540 | 3,812 |
![]() | The Star | 11/2017 | 21 | 40,750 | 22,300 | 63,050 | 28,073 |
![]() | The Exception | 06/2017 | 10 | 700 | 100 | 800 | 369 |
![]() | Remember | 02/2016 | 8 | 1,010 | N/A | 1,010 | 475 |
![]() | The Forger | 04/2015 | N/A | N/A | N/A | N/A | N/A |
![]() | Danny Collins | 03/2015 | 10 | 5,730 | N/A | 5,730 | 2,693 |
![]() | Hector and the Search For Happiness | 09/2014 | N/A | 1,110 | N/A | 1,110 | 522 |
![]() | Elsa & Fred | 11/2012 | 11 | N/A | N/A | N/A | N/A |
![]() | The Girl With The Dragon Tattoo | 12/2011 | 100 | 102,600 | 130,000 | 232,600 | 100,222 |
![]() | Beginners | 06/2011 | 4 | 5,800 | 8,125 | 13,925 | 5,976 |
![]() | Priest | 05/2011 | 65 | 30,000 | 50,000 | 80,000 | 34,100 |
![]() | The Last Station | 01/2010 | 21 | 6,845 | 5,675 | 12,520 | 5,487 |
![]() | The Imaginarium of Doctor ... | 12/2009 | 35 | 7,850 | 54,750 | 62,600 | 25,590 |
![]() | 9 | 09/2009 | 33 | 32,400 | 16,875 | 49,275 | 21,978 |
![]() | Up | 05/2009 | 190 | 295,000 | 422,000 | 717,000 | 307,450 |
![]() | Man In the Chair | 12/2007 | N/A | N/A | N/A | N/A | N/A |
![]() | The Lake House | 06/2006 | 40 | 52,321 | 63,000 | 115,321 | 49,791 |
![]() | Inside Man | 03/2006 | 45 | 88,634 | 96,000 | 184,634 | 80,058 |
![]() | The New World | 12/2005 | 35 | 12,717 | 17,850 | 30,567 | 13,117 |
![]() | Syriana | 11/2005 | 50 | 50,912 | 44,126 | 95,038 | 41,579 |
![]() | Must Love Dogs | 07/2005 | 30 | 44,000 | 15,000 | 59,000 | 26,680 |
![]() | Alexander | 11/2004 | 165 | 34,000 | 133,000 | 167,000 | 69,180 |
![]() | National Treasure | 11/2004 | 100 | 174,000 | 172,000 | 346,000 | 150,580 |
![]() | The Gospel Of John | 10/2003 | 14 | 3,096 | N/A | 3,096 | 1,455 |
![]() | Cold Creek Manor | 09/2003 | N/A | 21,386 | N/A | 21,386 | 10,051 |
![]() | Nicholas Nickleby | 12/2002 | 10 | 1,377 | N/A | 1,377 | 647 |
![]() | Ararat | 11/2002 | N/A | 1,480 | N/A | 1,480 | 696 |
![]() | Lucky Break | 04/2002 | 6 | 52 | N/A | 52 | 24 |
![]() | A Beautiful Mind | 12/2001 | 60 | 170,708 | 142,800 | 313,508 | 137,353 |
![]() | Dracula 2000 | 12/2000 | 37 | 33,023 | 16,000 | 49,023 | 21,921 |
![]() | The Insider | 11/1999 | 68 | 28,936 | 35,000 | 63,936 | 27,600 |
![]() | Twelve Monkeys | 12/1995 | 29 | 57,000 | 106,600 | 163,600 | 69,430 |
![]() | Dolores Claiborne | 03/1995 | 15 | 24,362 | 20,000 | 44,362 | 19,450 |
![]() | Wolf | 06/1994 | 70 | 72,341 | 41,100 | 113,441 | 50,440 |
![]() | Malcolm X | 11/1992 | 25 | 48,169 | 24,933 | 73,102 | 32,613 |
![]() | Rock- A- Doodle | 04/1992 | N/A | 11,638 | N/A | 11,638 | 5,470 |
![]() | Star Trek VI: The Undiscovered Country | 12/1991 | 30 | 76,596 | 20,000 | 96,596 | 44,000 |
![]() | An American Tail: Fievel Goes West | 11/1991 | N/A | 22,306 | N/A | 22,306 | 10,484 |
![]() | Where the Heart Is | 02/1990 | N/A | 1,034 | N/A | 1,034 | 486 |
![]() | The Sound Of Music | 03/1965 | 8 | 170,160 | N/A | 170,160 | 79,975 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT ICM 10250 Constellation Blvd. Los Angeles, CA 90067 T:(310) 550-4000 careersla@icmtalent.com | UK AGENT MARKHAM FROGGATT AND IRWIN 4 Windmill Street London W1T 2HZ T:44 (0) 207 636 4412 | ATTORNEY PITT GROUP 9465 Wilshire Blvd. Beverly Hills, CA 90212 T:(310) 246-4800 |