Carrie Preston
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Holdovers	10/2023	14	20,400	25,600	46,000	19,828
	Daisy Winters	12/2017	5	N/A	N/A	N/A	N/A
	To The Bone	07/2017	12	N/A	N/A	N/A	N/A
	Equity	07/2016	N/A	N/A	N/A	N/A	N/A
	5 Flights Up	05/2015	6	1,000	N/A	1,000	470
	Virginia	05/2012	N/A	12	N/A	12	6
	That Evening Sun	11/2009	N/A	278	N/A	278	131
	Duplicity	03/2009	65	41,250	40,875	82,125	35,738
	Doubt	12/2008	21	32,905	17,475	50,380	22,455
	Vicky Cristina Barcelona	08/2008	18	23,400	74,770	98,170	40,906
	TransAmerica	12/2005	1	10,196	6,150	16,346	7,252
	Straight - Jacket	11/2004	N/A	37	N/A	37	17
	Guinevere	09/1999	3	614	N/A	614	289
	Mercury Rising	04/1998	60	32,983	55,500	88,483	37,702
	For Richer Or Poorer	12/1997	N/A	31,601	N/A	31,601	14,852
	My Best Friends Wedding	06/1997	46	124,543	148,200	272,743	117,815

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.