
Bill Pullman
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The High Note | 05/2020 | 21 | N/A | N/A | N/A | N/A |
![]() | Dark Waters | 11/2019 | 36 | 111,150 | 121,050 | 232,200 | 100,661 |
![]() | The Equalizer 2 | 07/2018 | 65 | 102,100 | 89,000 | 191,100 | 83,587 |
![]() | The Ballad Of Lefty Brown | 12/2017 | 8 | 800 | N/A | 800 | 376 |
![]() | LBJ | 11/2017 | 21 | 2,580 | N/A | 2,580 | 1,213 |
![]() | Walking Out | 10/2017 | 3 | N/A | N/A | N/A | N/A |
![]() | Brother Nature | 09/2016 | 5 | N/A | N/A | N/A | N/A |
![]() | Independence Day: Resurgence | 06/2016 | 173 | 102,960 | 291,800 | 394,760 | 165,111 |
![]() | American Ultra | 08/2015 | 30 | 14,200 | 1,206 | 15,406 | 7,156 |
![]() | Cymbeline | 03/2015 | N/A | N/A | N/A | N/A | N/A |
![]() | The Equalizer | 09/2014 | 60 | 101,300 | 95,400 | 196,700 | 85,771 |
![]() | May In The Summer | 08/2014 | N/A | 22 | 115 | 137 | 56 |
![]() | Lola Versus | 06/2012 | N/A | 250 | N/A | 250 | 118 |
![]() | The Killer Inside Me | 06/2010 | 14 | 218 | 3,850 | 4,068 | 1,642 |
![]() | Surveillance | 06/2009 | N/A | 28 | 1,100 | 1,128 | 453 |
![]() | Phoebe In Wonderland | 03/2009 | N/A | N/A | N/A | N/A | N/A |
![]() | Nobel Son | 12/2008 | N/A | 540 | N/A | 540 | 254 |
![]() | Bottle Shock | 08/2008 | N/A | 4,080 | 144 | 4,224 | 1,975 |
![]() | You Kill Me | 06/2007 | 4 | 2,500 | 1,120 | 3,620 | 1,623 |
![]() | Scary Movie 4 | 04/2006 | 45 | 90,710 | 88,000 | 178,710 | 77,834 |
![]() | Dear Wendy | 09/2005 | N/A | 18 | N/A | 18 | 8 |
![]() | The Grudge | 10/2004 | 12 | 110,000 | 78,000 | 188,000 | 82,900 |
![]() | Igby Goes Down | 09/2002 | 9 | 4,700 | N/A | 4,700 | 2,209 |
![]() | Lucky Numbers | 10/2000 | 65 | 10,043 | N/A | 10,043 | 4,720 |
![]() | Titan A.E. | 05/2000 | 75 | 22,753 | 14,100 | 36,853 | 16,334 |
![]() | Brokedown Palace | 08/1999 | 28 | 10,115 | N/A | 10,115 | 4,754 |
![]() | Lake Placid | 07/1999 | 27 | 31,770 | 14,000 | 45,770 | 20,532 |
![]() | Zero Effect | 01/1998 | 5 | 2,087 | N/A | 2,087 | 981 |
![]() | The End of Violence | 09/1997 | 5 | 354 | N/A | 354 | 166 |
![]() | Lost Highway | 02/1997 | 15 | 3,935 | N/A | 3,935 | 1,849 |
![]() | Independence Day | 07/1996 | 75 | 306,100 | 492,000 | 798,100 | 340,667 |
![]() | Mr. Wrong | 02/1996 | N/A | 12,823 | N/A | 12,823 | 6,027 |
![]() | Casper | 07/1995 | 55 | 104,598 | 176,900 | 281,498 | 119,921 |
![]() | While You Were Sleeping | 06/1995 | 17 | 82,781 | 100,900 | 183,681 | 79,267 |
![]() | The Last Seduction | 10/1994 | 3 | 6,136 | N/A | 6,136 | 2,884 |
![]() | Wyatt Earp | 06/1994 | 63 | 25,051 | 30,900 | 55,951 | 24,134 |
![]() | The Favor | 04/1994 | N/A | 3,134 | N/A | 3,134 | 1,473 |
![]() | Malice | 10/1993 | 25 | 45,089 | 15,200 | 60,289 | 27,272 |
![]() | Sleepless In Seattle | 06/1993 | 21 | 126,681 | 101,200 | 227,881 | 100,020 |
![]() | Sommersby | 02/1993 | N/A | 50,081 | 90,000 | 140,081 | 59,538 |
![]() | Singles | 09/1992 | N/A | 18,323 | 12,000 | 30,323 | 13,412 |
![]() | A League of Their Own | 07/1992 | 40 | 107,534 | 25,000 | 132,534 | 60,541 |
![]() | Newsies | 04/1992 | 17 | 2,851 | N/A | 2,851 | 1,340 |
![]() | Liebestraum | 09/1991 | N/A | 134 | N/A | 134 | 63 |
![]() | Bright Angel | 06/1991 | N/A | 158 | N/A | 158 | 74 |
![]() | Sibling Rivalry | 10/1990 | N/A | 17,854 | N/A | 17,854 | 8,391 |
![]() | The Accidental Tourist | 12/1988 | N/A | 33,830 | N/A | 33,830 | 15,900 |
![]() | The Serpent and the Rainbow | 02/1988 | 11 | 19,595 | N/A | 19,595 | 9,210 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Recent Television
Title | Network | Genre | Date | ||
---|---|---|---|---|---|
TO BIG TO FAIL | HBO | Wall Street Drama | 2011 | ||
THE SINNER | USA NETWORK | Drama | 8/2017 | ||
HALSTON | NETFLIX | Biographical Drama | 5/2021 |
Contact Details
AGENT ICM 10250 Constellation Blvd. Los Angeles, CA 90067 T:(310) 550-4000 careersla@icmtalent.com | MANAGER ANONYMOUS CONTENT 3532 Hayden Avenue Culver City, CA 90232 T:(310) 558-3667 |