Margaret Qualley
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Substance	09/2024	18	N/A	N/A	N/A	N/A
	Kinds of Kindness	06/2024	15	N/A	N/A	N/A	N/A
	Drive-Away Dolls	02/2024	26	5,380	18,120	23,500	9,777
	Poor Things	12/2023	37	35,223	83,670	118,893	50,023
	Stars at Noon	10/2022	22	N/A	N/A	N/A	N/A
	My Salinger Year	03/2021	10	N/A	N/A	N/A	N/A
	Seberg	12/2019	9	N/A	N/A	N/A	N/A
	Strange But True	09/2019	13	N/A	N/A	N/A	N/A
	Adam	08/2019	2	N/A	N/A	N/A	N/A
	Once Upon A Time In Hollywood	07/2019	95	142,870	237,500	380,370	162,149
	The Vanishing Of Sidney Hall	03/2018	6	N/A	N/A	N/A	N/A
	Novitiate	10/2017	3	N/A	N/A	N/A	N/A
	Death Note	08/2017	4	N/A	N/A	N/A	N/A
	The Nice Guys	05/2016	52	35,975	22,340	58,315	25,844

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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