Daniel Radcliffe
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Lost City	03/2022	75	105,500	85,620	191,120	83,833
	Escape from Pretoria	02/2020	10	N/A	N/A	N/A	N/A
	Beast Of Burden	02/2018	10	N/A	33	33	13
	Jungle	10/2017	26	N/A	884	884	354
	Imperium	08/2016	7	N/A	N/A	N/A	N/A
	Now You See Me 2	06/2016	94	64,780	272,570	337,350	139,475
	Swiss Army Man	06/2016	3	4,190	800	4,990	2,289
	Victor Frankenstein	11/2015	15	5,650	28,230	33,880	13,948
	Horns	10/2014	N/A	172	3,240	3,412	1,377
	What If	08/2014	7	3,490	4,300	7,790	3,360
	Kill Your Darlings	10/2013	N/A	990	N/A	990	465
	The Woman In Black	02/2012	19	54,350	71,850	126,200	54,285
	Harry Potter And The Deathly Hallows: Part 2	07/2011	185	382,000	975,000	1,357,000	569,540
	Harry Potter And The Deathly Shadows: Part 1	11/2010	165	298,760	665,350	964,110	406,557
	Harry Potter And The Half-Blood Prince	07/2009	265	305,000	655,000	960,000	405,350
	December Boys	09/2007	4	52	950	1,002	404
	Harry Potter And The Order Of The Phoenix	07/2007	155	292,100	646,000	938,100	395,687
	Harry Potter And The Goblet Of Fire	11/2005	150	289,930	603,000	892,930	377,467
	Harry Potter and the Prisoner Of Azkaban	06/2004	130	249,000	540,000	789,000	333,030
	Harry Potter And The Chamber Of Secrets	11/2002	100	255,882	614,000	869,882	365,865
	Harry Potter And The Sorcerers Stone	11/2001	130	317,557	653,800	971,357	410,772
	The Tailor Of Panama	03/2001	18	13,500	13,900	27,400	11,905

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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