Edgar Ramirez
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Borderlands	08/2024	157	N/A	N/A	N/A	N/A
	The 355	01/2022	78	14,875	13,780	28,655	12,503
	Jungle Cruise	07/2021	137	117,500	104,100	221,600	96,865
	Yes Day	03/2021	10	N/A	N/A	N/A	N/A
	Bright	12/2017	94	N/A	N/A	N/A	N/A
	Gold	01/2017	38	7,190	N/A	7,190	3,379
	The Girl On The Train	10/2016	48	75,120	102,400	177,520	76,266
	Hands Of Stone	08/2016	21	N/A	N/A	N/A	N/A
	Joy	12/2015	63	57,065	45,100	102,165	44,861
	Point Break	12/2015	110	28,650	103,540	132,190	54,882
	Deliver Us From Evil	07/2014	32	30,670	58,320	88,990	37,743
	Wrath Of The Titans	03/2012	165	83,120	217,800	300,920	126,186
	Carlos	10/2010	20	148	750	898	370
	The Bourne Ultimatum	08/2008	122	230,600	215,200	445,800	194,462
	Vantage Point	02/2008	42	72,450	81,500	153,950	66,652
	Domino	10/2005	55	10,170	12,800	22,970	9,900

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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