Rob Reiner
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Shock And Awe	07/2018	N/A	78	N/A	78	37
	The Wolf Of Wall Street	12/2013	105	115,110	275,630	390,740	164,354
	Everyones Hero	09/2006	N/A	14,523	N/A	14,523	6,826
	Dickie Roberts: Former Child Star	09/2003	17	22,739	N/A	22,739	10,687
	Alex and Emma	06/2003	N/A	14,219	N/A	14,219	6,683
	The Story of Us	10/1999	50	27,100	36,900	64,000	27,497
	Edtv	03/1999	60	22,431	12,000	34,431	15,343
	Primary Colors	03/1998	65	39,300	11,700	51,000	23,151
	The First Wives Club	09/1996	26	105,400	81,800	187,200	82,258
	Mixed Nuts	12/1994	N/A	6,798	N/A	6,798	3,195
	Bullets Over Broadway	10/1994	15	13,383	24,100	37,483	15,930
	Postcards from the Edge	09/1990	N/A	37,235	N/A	37,235	17,500
	Throw Momma From The Train	12/1987	N/A	57,696	N/A	57,696	27,117

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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